Programme Index

Discover 11,128,835 listings and 278,128 playable programmes from the BBC

Overture: Acis and Galatea
(Haudnt
ACADEMY OF ST. MARTIN-IN-THE-FIELDS Directed by NEVILLE MARRINER (violin)
7.12* Oboe Concerto in D minor,
Op. 8 No. (Vivaldi)
HAROLD GOMBERG New YORK PHILHARMONIC Orchestra
Conducted by LEONARD BERNSTEIN
7.23* Symphony No. 83, in G minor
(The Hen) (Haydn)
SUlSSE ROMANDE ORCHESTRA
Conducted by ERNEST ANSERMET
7.43* Ballet Suite: Le roi s'amuse
(Delibes)
ROYAL PHILHARMONIC ORCHESTRA
Conducted by SIR THOMAS BEECHAM gramophone records

Contributors

Violin:
Neville Marriner
Conducted By:
Leonard Bernstein
Conducted By:
Ernest Ansermet
Conducted By:
Sir Thomas Beecham

A request programme of records
Viola Concerto in G major
(Telemann)
ULRICH KOCH LUCERNE Festival Strings Directed by RUDOLF BAUMGARTNER (violin)
8.20* Salvator mundt (Tciltis) Miserere (Psalm 51) (Allegri)
CHOIR OF KING'S COLLEGE, CAMBRIDGE Directed by DAVID WILLCOCKS
8.35* Suite for viola and orchestra
(Vaughan Williams)
MELVIN BERGER
ENGLISH CHAMBER Orchestra Conducted by JOHN SNASUALL

Contributors

Unknown:
Ulrich Koch Lucerne
Violin:
Rudolf Baumgartner
Directed By:
David Willcocks
Unknown:
Melvin Berger
Conducted By:
John Snasuall

Liederkreis, Op. 24 (Schumann)
11.21* Symphony for piano. Op. 39
(Alkan)
11.45* Liederkreis, Op. 39
(Schumann)
DIETRICH FISCHER-DIESKAU (baritone) JÖHG DEMUS (piano)
GERALD MOORE (piano)
RAYMOND LEWENTHAL (piano)
0 gramophone records

Contributors

Piano:
Gerald Moore
Piano:
Raymond Lewenthal

0 Part 1
Ode for St. Cecilia's Day (1739)
(Handel)
TERESA STICH-RANDALL (soprano) ALEXANDER YOUNG (tenor) LONDON CHAMBER SINGERS
JACK MACKINTOSH (trumpet) JOHN SHINKBOURNE (cello)
LONDON CHAMBER Orchestra
Conducted by ANTIIONY BERNARD gramophone record

Contributors

Singers:
Jack MacKintosh
Cello:
John Shinkbourne
Conducted By:
Antiiony Bernard

0 Part 2
Fantasia Concertante on a theme of Corelli (Tippett)
YEHUDI MENUHIN (violin) ROBERT MASTERS (violin) DEREK SIMPSON (cello)
Bath Festival Orchestra
Conducted by the COMPOSER
1.35* Ballet Suite: Pulcinella
(Stravinsky)
SUISSE ROMANDE ORCHESTRA
Conducted by ERNEST ANSERMET gramophone records

Contributors

Violin:
Yehudi Menuhin
Cello:
Derek Simpson
Conducted By:
Ernest Ansermet

This week:
Havergal Brian talks to ROBERT SIMPSON and introduces a programme of his piano music played by JOHN LILL
Prelude and Fugue in D
Prelude: John Dowland 's lancy
Double Fugue in E flat major

Contributors

Talks:
Havergal Brian
Unknown:
Robert Simpson
Played By:
John Lill
Unknown:
John Dowland

Mass for five voices (Burd)
CHOIR OF KING'S COLLEGE. CAMBRIDGE
Directed by DAVID WILI. COCKS
3.58* Fantasias (Purcell)
Four-part Fantasia No. 4, in G minor
Five-part Fantasia upon one note
YEHUDI MENUHIN (violin) ROBERT MASTERS (violin) CECIL ARONOWITZ (viola) WALTER GERHARD (viola) DEREK SIMPSON (cello)
4.9* Songs of Travel
(Vaughan Williams)
JOHN SHIRLEY-QUIRK (baritone) VIOLA TUNNARD (piano)
4.33* Piano music (Ireland)
ALAN ROWLANDS
4.47* String Quartet in E minor
(Elgar)
AEOLIAN STRING QUARTET Sydney Humphreys
Raymond Keenlyside
Watson Forbes. Derek Simpson gramophone records
Third in a series of eight weekly programmes

Contributors

Directed By:
David Wili.
Violin:
Yehudi Menuhin
Viola:
Cecil Aronowitz
Cello:
Derek Simpson
Baritone:
John Shirley-Quirk
Unknown:
Alan Rowlands
Unknown:
Sydney Humphreys
Unknown:
Raymond Keenlyside
Unknown:
Watson Forbes.
Unknown:
Derek Simpson

International
Choral Competition
EQUAL VOICE CLASS
From Ghana
DAMAS MALE VOICE Choir
Conductor. ISHMAEL ADAMS
From Sweden
ORPHEUS MEN'S CHOIR. UPPSALA Conductor, ERIC ERICSON
From V.S.S.R.
MALE CHOIR OF LATVIA'S
HIGHER EDUCATION ESTABLISHMENTS Conductor, PAUL KVELDE
Introduced by MARTIN MUNCASTER
Produced by Anthony Philpott
Presented by the BBC in collaboration with twenty-four member countries of the European Broadcasting Union

Contributors

Conductor:
Ishmael Adams
Introduced By:
Martin Muncaster
Produced By:
Anthony Philpott

B nYTb!
20 Ham crYAeHT?
A course of twenty lessons in spoken Russian for near-beginners
Lesson 20
Written by VauKhan James , University of Sussex
Given by VAUGHAN JAMES
MARINA RYAN. and VECTOR GREGORIY
Language consultant, Lyubov Volossevich
Produced by Richard Hooper
First broadcast July 19. 1966
Repeated: Saturday, 11.10 a.m.
(Home)
A booklet is available

Contributors

Written By:
Vaukhan James
Unknown:
Vaughan James
Unknown:
Marina Ryan.
Unknown:
Lyubov Volossevich
Produced By:
Richard Hooper

Ars nova in France
MUSICA MENSURABILlS ENSEMBLE Director, WOLFGANG NITSCHKE
Introductions by MICHAEL HOWARD , incorporating material by Wolfgang Nitschke An abridged version of the series originally broadcast in 1965 Recording made available by courtesy of Radio Bremen
February 27:
Fourteenth-century Italy

Contributors

Director:
Wolfgang Nitschke
Unknown:
Michael Howard
Unknown:
Wolfgang Nitschke

How can the study of animal communities help to explain the behaviour of human beings? DR. ROBIN Fox
Department of Anthropology, London School of Economics introduces the third of four programmes
Communication
DR. J. M. CULLEN
Lecturer in Zoology, University of Oxford describes what is known about communication within animal groups by means of signals and responses. He is then joined in a discussion with PROFESSOR R. H. ROBINS
Department of Phonetics and Linguistics, School of Oriental and African Studies, London University and J. ARGYLE
Lecturer in Social Psychology. Untwrsity of Oxford f Produced by Robin Hughes
Social Bonds: March 1

Contributors

Unknown:
Dr. J. M. Cullen
Unknown:
Professor R. H. Robins
Unknown:
J. Argyle
Produced By:
Robin Hughes

A back-window on Belfast. opened after forty years by W. R. Rodgers
This word's-eye view of Belfast Is partly autobiographical. largely imaginary, and wholly true
Produced by Sam Hanna Bell
† A new production of a programme first broadcast in 1955

Contributors

Unknown:
W. R. Rodgers
Produced By:
Sam Hanna

Network Three

Appears in

About this data

This data is drawn from the Radio Times magazine between 1923 and 2009. It shows what was scheduled to be broadcast, meaning it was subject to change and may not be accurate. More