For radio and recording enthusiasts Introduced by John Borwick
THE MICROPHONE AS EAR
Why don't they just put a mike in the best seat in the stalls and record the music that way?
The question is often asked. But a microphone does not behave precisely like a pair of ears plus a brain. It cannot make its own selection of sounds. In using microphones to best advantage, the engineer must rely largely on his ears and judgment.
JOHN BORWICK has talked about some of the problems of music balancing with R. S. C. GUNDRY , a BBC engineer concerned with microphones and studios for sound broadcasting
STANFORD ROBINSON, a BBC conductor
Angus McKENZIE , who runs a recording studio
They introduce music recordings to illustrate their points
Produced by Richard Keen

Lesson 23
The lessons presented by Luisa Rapaccini based on her book Parlo Italiano a textbook for beginners Devised and produced by Elsie Ferguson
Recorded broadcast of March 13, 1961

The four-cornered World Championship Match was played last month in New York
Terence Reese and Harold Franklin discuss some of the hands with members of the British team who took part

How Well Do Yon PlayT
Leonard Barden invites listeners to match their wits against the Masters
Position after Black's (14) ... B-Q2: r4klr/plpb4/2pqlbpp/4pp2
Q3P3/INP2N2/PP3PPP/R3K2R
Consultation Match
Arthur Bisguier and Jonathan Penrose (White) 9.
Svetozar Gligoric and Harry Golombek
BLACK
Position after
Black's
(18) ...
QxQ
WHITE
Programme arranged by Terence Tiller

Antony Hopkins