—VIII
' Cuts and Rises '-II

From THE HOTEL MAJESTIC, ST.ANNE'S-ON-SEA
(From North Regional)

RECEPTION TEST
2.30 Biology aid Hygiene
Professor WINIFRED CULLIS , C.B.E.:'Your Body every Day-VIII, How being Healthy helps
Everybody
2.65 Interval

Formal Opening Address by His Eminence THE CARDINAL LEGATE and A MESSAGE to THE POPE
Relayed from The Pro Cathedral, Dublin

Conductor, Sir DAN GODFREY
JANE MARCUS (Violill)
From THE PAVILION, BOURNEMOUTH

At THE ORGAN of THE ASTORIA CINEMA,
CORSTORPHINE
(From Edinburgh)

BEETHOVEN'S VIOLIN and PIANOFORTE SONATAS played by HETTY BOLTON and HAROLD FAIRHURST
Sonata in E Flat, Op. 12, No. Ill
1. Allegro; 2. Adagio; 3. Rondo ; Allegro molto

Mr. CEDRIC BELFRAGE

Sir DANIEL HALL , K.C.B., F.R.S., Chief Scientific Adviser, Ministry of Agriculture

—V
Mr. A. LLOYD-JAMES: Standard English '

GWEN KNIGHT (Soprano)
PERCY HEMING (Baritone)
THE WIRELESS MALE VOICE QUARTET
THE B.B.C. THEATRE ORCHESTRA
(Leader, S. KNEALE KELLEY)
Conducted by ALFRED REYNOLDS

ORCHESTRA
Overture, Much Ado about Nothing
Entr'acte from Sheridan's The Critic
Mascarade from The Merchant of Venice
GWEN KNIGHT and Orchestra
Ah! how delightful the Morning (Lionel and Clarissa)
When shall I marry me? (She Stoops to Conquer)
ORCHESTRA
Airs from The Beaux Stratagem
PERCY HEMING and Orchestra
Yes, 'tis decreed (The Beaux' Stratagem)
Tony Lumpkin's Song (She Stoops to Conquer) with Male Voice Quartet
A Bumper (from The Duenna, with Male Voice Quartet)
ORCHESTRA
Overture, The Taming of the Shrew
GWEN KNIGHT, PERCY HEMING and Orchestra
Five Songs from Shepherd's Delight
GWEN KNIGHT
The Virgin's Choice
There was a wise Woman
PERCY HEMING
Mad Martin
GWEN KNIGHT
Following after Jenny
GWEN KNIGHT and PERCY HEMING
Duet, By Cottage Gate
ORCHESTRA.
Humoresque
GWEN KNIGHT, PERCY HEMING and Quartet
Scena, The Ballad of Black Eyed Susan
Quartet of Sailors
The scone is laid on board an old-time sailing-ship. Sailors tire dancing a jolly hornpipe and the ballad tells of the tender parting of William and Black-Eyed Susan. As the 'lessoning boat' rows back to land, there is hoard the sound of a phantom hornpipe, a weird, unearthly tune, in which the mocking spirit of the sea laughs at the truth of lovers' vows.
ORCHESTRA
Fandango (the Duenna)
ALFRED REYNOLDS has been for years intimately associated with Sir Nigel Playfair's post-war adventure at the Lyric Theatre, Hammersmith. His first real opportunity at that theatre came with the production of Sheridan's The Duenna, the music of which was originally composed by Thomas Linley. 'When we were planning our production,' Sir Nigel Playfair has recorded in his book 'Hammersmith Hoy,' it was obvious that the music would need a very great deal of overhauling, and indeed re-writing; and for the purpose we called in Mr. Reynolds. Mr. Reynolds was already a very distinguished pianist, and he conducted for us in the 'Insect Play.' He is such a modest man that it was with a great deal of difficulty that I persuaded him of his competence for the task: when he sat down to it, however, he became enthusiastic, and by the time he had finished, there was really a good deal more Reynolds than Linley in the composition.' From that day, each of the later Lyric, Hammersmith, productions has had, if not 'more Reynolds than X' in the composition, at least enough Reynolds to make the music a very fascinating and important part of the whole.

WEATHER FORECAST, SECOND GENERAL NEWS
BULLETIN

A Revue

Roy Fox and his BAND, from MONSEIGNEUR