GWEN KNIGHT (Soprano) ; HORACE VINCENT (Tenor) ; THE WIRELESS ORCHÉSTRA, conducted by STANFORD ROBINSON

: Selections by the Daventry Quartet. A Sketch by Mabel Constanduros. A Competiticn

Studies of Transcendental Execution
Played by Edward Mitchell, Aeolian Harps
Procession of the Magi
(from' Christmas Festivities,' Op. 41)
The last of the Studies we are to hear is one of wonderful delicacy, suggesting the faint, sweet music of the wind as it passes over the strings stretched for its caresses.
The final piece comes from a later set of pieces, described as 'Four Pictures for Piano.'

In the Procession Liapounov, after setting the rhythm of the stately march, introduces an Arab melody of a hymn-like-character, the march plodding steadily along beneath it. Towards the end the piece works up to a pitch of ecstasy with the Arab tune sounded forth amid the jangle of bells, then dominating all in fine dignity.

MURRAY ASHFORD 'S WESTCLIFF-ON-SEA CONCERT
PARTY (late of Margate)
MAROVA
RUSSIAN Folk Songs with Guitar Accompaniment
THE Four
(Sidney, Sam, John and Bert)
GUS MACNAUGHTON and CYRIL SMITH
(Cross Talk)

NORMAN WILLIAMS (Baritone)
THE WIRELESS ORCHESTRA, conducted by JOHN ANSELL
ORCHESTRA
Overture to Richard III '
Welsh Rhapsody
NORMAN WILLIAMS
The Dew Upon the Lily The Drummer Boy
My Song is of the Sturdy North (with Orchestra)
ORCHESTRA
Bourreo and Giguo from ' Much Ado About
Nothing'
Graceful Waltz and Sallarello from Suite in D
Minor
Violin Solo 'Souvenir'
Solo Violin, S. KNFALE KELLEY
Selection from ' Merrie England '

The Savoy Bands, from the Savoy Hotel