George Scott-Wood and his Accordion Band

and forecast for farmers and shipping

A gramophone miscellany

Bible reading, with comment, by the Rev. F. C. Bryan , of Tyndale Baptist Church, Bristol. (St. Mark 1, w. 1-8)

and forecast for farmers and shipping

BBC Scottish Variety Orchestra
Conductor, Kemlo Stephen

(piano)

Talk by Duncan Carse

RELIGION AND PHILOSOPHY. Belief in Christ and the Modern Mind. 'Difficulties. 3-Why not other religions as well? ' An imaginary conversation set in .the second century which illustrates the attitude of Christianity to other world religions. Script by Robert C. Walton.
10.5 News commentary

Paraphrase 19
New Every Morning, page 87 Psalm 147 (Broadcast Psalter) Romans 10, vv. 1-17
Lighten the darkness of our life's
Ion.? night (S.P. 103)

Band of H.M. Royal Marines (Chatham)
Conducted by Captain Thomas Francis
Director of Music

Singing Together
by William Appleby

11.20 How Things Began: 6: Man and the Forests
Script by Rhoda Power

11.40 Intermediate French: 'Diner en ville'
C'est aujourd'hui les noces d'argent de Monsieur et Madame Bourdon. Toute la famille et la tante Victoire vont diner en ville, au restaurant.
Texte d'Alice Desselle

BBC West of England
Light Orchestra
Conductor, John Bath

and forecast for farmers and shipping

STORIES FROM WORLD HISTORY. Pierre Radisson (c. 1636-1710), a Frenchman, who later became British and died in London after a period of service with the Hudson Bay Company. Script by Rhoda Power
Pierre Radisson had many adventures as an explorer and fur trader in Canada. Today's story is about the earliest of these when he was captured by Indians as a boy and jived for some time as an adopted member of their tribe.
2.25 SENIOR ENGLISH I. ' Have you met—Sairey Gamp? ' Douglas Allan interviews a notorious character from Dickens' novel ' Martin Chuzzlewit '
2.50 ORCHESTRAL CONCERT SERIES
New London Orchestra
Conducted by Alec Sherman
Programme introduced by John Russell

(Leader, Paul Beard )
Conductor, Sir Adrian Boult

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from a canteen in Redhill, Surrey
with Eugene Pini, Harold Berens, Anne Shelton
James Moody at the piano
Introduced and produced by Bill Worsley

by Terence Rattigan
Adapted for broadcasting by Cynthia Pughe
Scene: The sitting-room of the Crocker-Harris's flat in a public school in the .South of England, between 6 and 7 o'clock on a July evening
Production by Mary Hope Allen

Twenty-four Preludes, Op. 28 played by Nina Milkina (piano)
What a wealth of fancy and imagination went to the making of these Preludes I The first one, with its snatches of lyrical melody, is followed by the one in A minor, ' a low and tremulous and melancholy song.' This is exchanged for the grace and sparkle of the Prelude in G-that captivating study for the left hand-and the well-known one in E minor, with its expressive melody accompanied by reiterated chords. And so on, throughout almost the entire range of the emotions. Among the less familiar ones are the vivacious Prelude in B major; the lovely miniature nocturne in P sharp; the one in E flat minor (which foreshadows so strikingly the finale of the Sonata in B flat minor); No. 23, limpid and charming; and the final Prelude in D minor, unforgettable in its brilliance and passion. It was after the Preludes were published that Schumann described Chopin as the boldest, the proudest poet-soul of today.' Harold Rutland