Social Sciences: Grapevine

Francaix Aubade
12 CELLISTS OF THE BERLIN
PHILHARMONIC ORCHESTRA
7.20* Albinoni Concerto in F, Op9No3
HEINZ HOLLIGER and MAURICE BOURGUE (oboes)
I MUSICI
7.32* Schubert Adagio and Rondo in F (D 487)
MELOSENSEMBLE
7.45* Larsson Pastoral Suite
STOCKHOLM SINFONIETTA/
JAN-OLA V WEDIN
8.00 News
8.05 Boyce Symphony No 3 in c ENGLISH CONCERT directed by TREVOR PINNOCK
8.10* Boccherini Oboe Quintet in E flat (G 435)
SARAH FRANCIS (oboe)
ALLEGRI STRING QUARTET
8.23* Glazunov Violin Concerto in A minor: JASCHA HEIFETZ
RCA ORCHESTRA/WALTER HENDL
8.43* Elgar Three Bavarian Dances
BOURNEMOUTH SINFONIETTA/ NORMAN DEL MAR. Records

Carl Maria von Weber
Since I composed the Concertino forBaermann, the whole orchestra has been demanding concertos from me
WEBER, Munich 1811
Clarinet Concerto No 2 in E flat (1811)
SABINE MEYER (clarinet)
DRESDEN STATE ORCHESTRA,
HERBERTBLOMSTEDT Canzonettas , Op 29, Nos 1 and 2 (1811) ROBERT TEAR (tenor) TIM WALKER (guitar)
Overture: Abu Hassan (1811)
BERLIN PO/HERBERT VON KARAJAN Bassoon Concerto (1811)
MILAN TURKOVIC BAMBERG SO/HANNS-MARTIN SCHNEIDT
Records

PETER NOKE and HELEN KRIZOS (pianos)
Martinu Three Czech Dances Frank Martin Etudes BBC Pebble Mill

Shostakovich Suite: The Gadfly (excerpts)
USSR CINEMA SO/ EMIN KHACHATURIAN Walton Funeral March (Hamlet)
PHILHARMONIA/THE COMPOSER Copland Our Town LSO/THE COMPOSER
Bliss Things to Come
RPO/CHARLES GROVES. Records

So Constantijn Huygens, the Dutch polymath, described Carolus Hacquart , a contemporary of Purcell active in Amsterdam.
In this programme, Hacquart's instrumental music is heard with two keyboard fantasias by Anthoni van Noordt, organist of the Nieuwe Kerk in the same city.
LONDON BAROQUE directed by CHARLES MEDLAM

led by RICHARD HOWARTH conducted byJANOS FÜRST RALPH KIRSHBAUM (cello) Parti
Haydn Symphony No 39 in G minor
Schumann Cello Concerto in A minor, Op 129

Part 2
Webern Symphony, Op 21
Vorisek Symphony in D, Op 24 BBCBristol

from the Havana Guitar Competition 1986
JOAQUIN CLERCH.
ALEXANDER FRAUCHI
TIMO KORHONEN. VLADIMIR TERVO and CARLOS TREPAT
Rodrigo Fandango (Three Spanish pieces)
Barrios La Catedral
Albeniz Capriccio; Zambra-Granadina
Brouwer El Arpa del Guerrero Salvador Brotons Dos sugestiones (R)

A sequence of music in which composers have been inspired by other times and other music: Kreisler's idea of Vivaldi; Grieg and Milhaud paying tribute to the 18th-century; Stravinsky recomposing Pergolesi; and Tippett fantasising on Corelli. Kreisler Concerto in the style of Vivaldi
OSCAR SHUMSKY (violin) MILTON KAYE (piano) Grieg Holberg Suite
NORWEGIAN CHAMBER ORCHESTRA
3.00* Milhaud Suite d'apres Corrette ATHENA ENSEMBLE
Stravinsky Suite italienne RAIA GARBOUSOVA (cello) ERICH ITOR KAHN (piano) preceded by most of the music on which it was based Records
3.55* Tippett Fantasia Concertante on a theme of Corelli
STRINGS OF CLEVELAND ORCHESTRA conducted by THE COMPOSER
(WCLV recording from a concert in Severance Hall) (R)

LORRAINE MCASLAN (violin) NIGEL CLAYTON (piano) Ravel Violin Sonata
Saint-Saens Havanaise, Op 83 BBC Manchester

Presented by Geoffrey Norris Producer JUDITH ROLES

The Missa Mi Mi by this 15th-century canon of Notre Dame in Paris, and master of the chapel of the French Kings, is sung by the Hilliard Ensemble.

conducted by SIMON RATTLE ANDRAS SCHIFF (piano) direct from
Birmingham Town Hall Parti
Takemitsu A flock descends into the pentagonal garden Bartok Piano Concerto No 2

1: A Journey to the Border
Do we define a country by its heartland or by its frontiers? In the first of three talks,
Laurence Lerner , poet and professor of English at
Vanderbilt University, uses a geopolitical analogy to examine current critical disputes as to what is the essential province of literature.

Part 2 Stravinsky Ballet: The Firebird BBC Pebble Mill

by SEAN O'CASEY
Two English gentlemen, one boasting of his money, the other of his breeding, decide to settle with their Irish mistresses in the beautiful Irish countryside. Unfortunately for them, neither money nor breeding is any match for the wit and guile displayed by the native Irish. The results are both hilarious and tragic.
Musical director MICHAEL HENRY
Adapted and directed by SUSAN HOGG (R)

The Art of the English Madrigal Thomas Tomkins Songs of three, four, five and six parts (1622): Too much I once lamented; Cloris whenas I woo; When David heard; Oft did I marle; Woe is me CONSORT OF MUSICKE directed by ANTHONY ROOLEY

Klaus Huber: To ask the flutist Heinz

Holliger: Lied

Brian Ferneyhough: Cassandra's dream song

Klaus Huber: Ein Hauch von Unzeit I

BBC Northern Ireland