Programme Index

Discover 11,128,835 listings and 279,800 playable programmes from the BBC

Handel Organ Concerto No 13, in F major: SIMON PRESTON BATH FESTIVAL ORCHESTRA conducted by YEHUDI MENUHIN
7.29* Beethoven Violin Sonata in A major. Op 47 (Kreutzer) CARLOS VILLA , GWENNETH PRYOR
7.55* Weber Overture: Abu Hassan : PHILHARMONIA
ORCHESTRA conducted by WOLFGANG SAWALLISCH gramophone records

Contributors

Unknown:
Simon Preston
Conducted By:
Yehudi Menuhin
Unknown:
Carlos Villa
Unknown:
Gwenneth Pryor
Unknown:
Abu Hassan
Conducted By:
Wolfgang Sawallisch

8.4 Mozart Symphony No 16, in c major (K 128)
ACADEMY OF ST MARTIN-
IN-THE-FIELDS directed by NEVILLE MARRINER (violin)
8.15* Hummel Septet in D minor, Op 74: MELOS ENSEMBLE
8.45* Berlioz Overture: Les francs-juges
LONDON SYMPHONY ORCHESTRA conducted by COLIN DAVIS gramophone records

Contributors

Violin:
Neville Marriner
Conducted By:
Colin Davis

Seventh of 21 programmes
Maureen Lehane (mezzo-soprano) Gloria Jennings (mezzo-soprano) Nigel Rogers (tenor)
Wyndham Parfitt (bass)
Wandsworth Boys' School Choir, director of music Russell Burgess
Musica Reservata Choir
John Constable (chamber organ) Harold Lester (harpsichord)
Musica Reservata Orchestra, leader Frances Mason, conducted by John Beckett

Incidental Music: The Married Beau
Sacred song: Begin the Song and strike the living lyre
Anthem: O Lord, grant the king a long life
Songs: Thy genius lo! (The Massacre of Paris); Let the dreadful engines of eternal will (Don Quixote)
Birthday Song for Queen Mary: Arise, my muse

(John Constable broadcasts by permission of the General Administrator, Royal Opera House Covent Garden)

Contributors

Mezzo-soprano:
Maureen Lehane
Mezzo-soprano:
Gloria Jennings
Tenor:
Nigel Rogers
Bass:
Wyndham Parfitt
Music:
Russell Burgess
Music:
Musica Reservata
Harpsichordist:
Harold Lester
Leader:
Frances Mason
Conducted By:
John Beckett

JENIFER EDDY (soprano)
BARRY MCDANIEL (baritone) ERNEST LUSH (piano)
Tenth of eleven weekly recitals Brahms Die Mainacht; Botschaft; 0 kiihler Wald
Wolf Die Sprode; Die Bekehrte; Philine; Das verlassene Magdlein; Wie lange schon war immer mein Verlangen; Erstes Liebeslied eines
Madchens Brahms 9 Love Songs, Op 32

Contributors

Baritone:
Barry McDaniel
Unknown:
Madchens Brahms

(born 23 December 1869)
A programme of motets by composers with whose work this distinguished musician was especially associated Bach Komm , Jesu, komm
Parry At the round earth's imagined corners
Brahms Schaffe in mir, Gott, ein rein
Herz Vaughan Williams 0 clap your hands
Parry Lord , let me know mine end
Walton Where does the uttered music go?
BBC CHORUS
DAVID LUMSDEN (organ) conducted by SIR ADRIAN BOULT

Contributors

Unknown:
Bach Komm
Unknown:
Brahms Schaffe
Unknown:
Herz Vaughan Williams
Unknown:
Parry Lord
Unknown:
David Lumsden
Conducted By:
Sir Adrian Boult

Justin Connolly Triad I (first performance in this country)
4.16* Stefan Wolpe Enactments: Chant; Held in: Inception
4.33* Peter Maxwell Davies Alma redemptoris Mater
4.41* Charles Wuorinen Nature's Concord (first performance in this country)
RONALD K. ANDERSON (trumpet) FREDERICK RIDDLE (viola) MARTIN JONES (piano)
KATHARINA WOLPE , JOHN MCCABI ROGER SMALLEY (pianos)
PIERROT PLAYERS, Conductor PETER MAXWELL DAVIES
(Wolpe broadcast 23 Feb 1968; Maxwell Davies 5 March 1968)

Contributors

Unknown:
Justin Connolly Triad
Unknown:
Stefan Wolpe
Unknown:
Peter Maxwell Davies
Unknown:
Ronald K. Anderson
Piano:
Katharina Wolpe
Piano:
John McCabi
Pianos:
Roger Smalley
Conductor:
Peter Maxwell Davies

PrSludes (Book 2)
Brouillards; Feuilles mortes: La puerta del vino; Les fees sont d'exquises danseuses: Bruyeres; General Lavineeccentric; La terrasse des audiences du clair de lune: Ondine: Hommage a S. Pickwick. Esq. PPMPC; Canope; Les tierces alternees; Feux d'artifice played by FOU TS'ONG (piano)

An audiopanorama of the Napoleonic epic composed by MICHAEL MASON
The swarming of the crowds of the French Revolution, the cannon of Austerlitz, the poetry of Goethe's Faust, the symphonies of Beethoven, the text of a philosophy lecture given by Hegel at Jena just before the battle-these are some of the components of this'sound symphony ' which evokes Europe's experience of the Napoleonic whirlwind.
Words by Napoleon. Hegel. Goethe. Mme de Staël, soldier and civilian eye-witnesses; and C. G. Jung.
Voices from the past: and ALARIC COTTER. MICHAEL DEACON PATRICIA GALLIMORE
MALCOLM HAYES , KATHLEEN HELME GODFREY KENTON
FREDERICK TREVES
Voices from the present:
GEORGE RUDÉ, Professor of History, School of Social Sciences. Flinders University of South Australia, author of The Crowd in the French Revolution
IDRIS PARRY , Professor of Modern German Literature, University of Manchester
Music from Mozart Symphonies 40 and 41; Beethoven Symphonies 3, 5. and 9: and the sonneries et batteries of the Napoleonic armies
Sound composition and orchestration by DAVID CAIN assisted by DICK MILLS
Produced by MICHAEL MASON in the BBC
Radiophonic Workshop
(To be repeated on 17 January)

Contributors

Composed By:
Michael Mason
Unknown:
C. G. Jung.
Unknown:
Alaric Cotter.
Unknown:
Michael Deacon
Unknown:
Patricia Gallimore
Unknown:
Malcolm Hayes
Unknown:
Kathleen Helme
Unknown:
Godfrey Kenton
Unknown:
Frederick Treves
Unknown:
Idris Parry
Unknown:
David Cain
Assisted By:
Dick Mills
Produced By:
Michael Mason
Napoleon:
Paul Daneman
Hegel:
Gary Watson
Goethe:
Gabriel Woolf
Mme de Staël:
Jill Balcon

Balakirev Symphonic Poem: Tamar
SUISSE ROMANDE ORCHESTRA conducted by ERNEST ANSERMET
10.12* Rimsky-Korsakov Cantata: The Song of Oleg the Wise VLADIMIR PETROV (tenor) MARK RESHETIN (baSS)
BOLSHOI THEATRE CHORUS AND ORCHESTRA conducted by BORIS KHAIKIN gramophone records

Contributors

Conducted By:
Ernest Ansermet
Conducted By:
Boris Khaikin

BBC Radio 3

About BBC Radio 3

Live music and the arts: broadcasts more live music than any other radio network. Classical music is its core. Genres include world and new music, jazz, speech and drama.

Appears in

About this data

This data is drawn from the Radio Times magazine between 1923 and 2009. It shows what was scheduled to be broadcast, meaning it was subject to change and may not be accurate. More