BATH FESTIVAL
CHAMBER ORCHESTRA Directed by YEHUDI MENUMN (violin) LONDON WIND SOLOISTS
Directed by JACK BRYMER (clarinet)STUTTGART CHAMBER ORCHESTRA
Conducted by KARL MONCHINGER gramophone records

SUISSE ROMANDE ORCHESTRA
Conducted by ERNEST ANSERMET gramophone records

Debussy
Pelléas et Mélisande: Act 4
Suisse ROMANDE ORCHESTRA
Conducted by ERNEST ANSERMET gramophone records

Suisse Romande ORCHESTRA
Conducted by ERNEST ANSERMET JOSEF SUK
CZECH PHILHARMONIC ORCHESTRA Conducted by KAREL ANCERL NEW PHILIIARMONIA ORCHESTRA
Conducted by SIR ADRIAN BOULT gramophone records

MARLENE FLEET (piano)
JOHN MITCHINSON (tenor) ERNEST LUSH (piano)

Part 1 CZECH PHILHARMONIC ORCHESTRA Conducted by KAREL ANCERL WANDA WILKOMIRSKA
BAVARIAN RADIO ORCHESTRA Conducted by THE COMPOSER gramophone records

Hyman Bress (violin)
Each month a well-known artist is invited to introduce and perform a wide range of music
In his last programme HYMAN BRESS with WILFRID PARRY (piano) plays

Part 2 NEW PHILHARMONIA ORCHESTRA
Conducted by ANTAL DORATI gramophone record

LONDON STUDIO ORCHESTRA
Leader, Reginald Leopold
Conducted by TERENCE KERN
Terence Kern broadcasts by permission of Sadler's Wells Opera Company

JANACEK QUARTET Jiri Travnicek (violin) Adolf Sykora (violin) Jiri Kratochvil (viola) Karel Krafka (cello)
STEFANIA WOYTOWICZ (soprano)
WARSAW PHILHARMONIC CHORUS AND ORCHESTRA
Conducted by Witold Rowicki gramophone records
Third of a series of programmes

FRENCH RADIO
PHILHARMONIC ORCHESTRA
Conducted by CHARLES BROCK
Recorded at the 1967 English Bach
Festival. Oxford
Prague Chamber Orchestra: October 2

Records chosen by the under-twenties Peter PEARS
MEMBERS OF THE
LONDON SYMPHONY ORCHESTRA Conducted by the COMPOSER NEW PHILRARMONIA Orchestra
Conducted by NORMAN DEL MAR gramophone records

See page 51

DOWLAND CONSORT
Director. BRIAN BOYDELL who also introduces the programme

by LIONEL MARCH of the University of Cambridge School of Architecture
The second of two talks on Land Use and Built Forms
Ebenezer Howard 's proposal for Garden Cities like William Morris 's vision of an urbanised country-side was essentially a . political Programme. Lionel March argues that the planning of post-war New Towns has so far been fundamentally opposed to this programme, and that we need to look to American ex-urban developments to discover Howard's intention in practice.
Second broadcast

or Talk to the Sea
An Imaginary Conversation translated and adapted by David Paul from
L'ldee fixe by Paul Valery with an introduction by the translator
Frank Duncan as Paul Valery Carleton Hobbs os The Doctor A point of worry, grievance, obsession, a line of thought that repeats and repeats itself in the mind to the exclusion of all else, even of what we are looking at or (supposedly) doing; this is an experience we aU know to our cost. Many a play gives us the comic or tragic results of an obsession, but not the process itself, the inner compulsion that acts like a drug, or the need for it. This explains the second-and more topical-meaning of the English title of Valéry's work.
Produced by TERENCE TILLER
Second broadcast

International MOZART Ensemble
Janet Craxton (oboe) Celia Nicklin (oboe) Ifor James (horn)
Charles Bloomfield (horn) Leonard Friedman (violin)
Conrad von Dergoltz (violin) John Underwood (viola) Quintin Ballardie (viola) Olga Hegedus (cello)
Adrian Beers (double-bass)

Suite: Nobilissima visione
CHICAGO SYMPHONY ORCHESTRA Conducted by JEAN MARTINON gramophone record