The Age of Automation by Sir Leon Bagrit Chairman of Elliott-Automation, Ltd.
3: Education for an Age ot Automation
A considerable expansion in technical training can be assumed. What is even more necessary is an educational policy which aims at producing broadly trained. adaptable people at all levels. It is especially important that our leaders, both in government and in industry, should combine a real understanding of science with a strong sense of social and human responsibility.
Sunday's broadcast in the Home
Service
Next Lecture: Some Polittcal Considerations. Nov. 29 (Home); Nov. 30 (Third Programme)
These lectures are being printed in ' The Listener '
by Leo Goldman
Music by CARL DAVIS
Jack MacGowran as the Patient
Alan Gifford as the Doctor
Mark Murphy as The Singing Voice
A gentle satire for radio in which the still small inner voice proclaims the commercial and political dictates of modern American life.
Produced by H. B. Fortuin
To be repeated on December 13 Jack MacGowran is a member of the Royal Shakespeare Theatre Company
Professor Heller discusses Hegel's Aesthetics under two aspects: as a diagnosis of the nature of ' Romantic ' art (by which Hegel understands all art after the art of classical Greece) and as a prophecy of the course ' Romantic ' art was bound to take towards ' absolute' art and, in Professor Heller's belief, by turning against itself to become ' anti-art.'
Suite No. 1, in C major
8.48* Cantata No. 55: Ich armer Mensch, ich Sundenknecht
9.5* Brandenburg Concerto
No. 2. in F major
WILFRED BROWN (tenor) ROBERT MASTERS (violin) WILLIAM BENNETT (flute) NEIL BLACK (oboe)
David Mason (trumpet) HAROLD LESTER
(harpsichord continuo) ELEANOR WARREN (cello continuo)
THE TIFFIN SCHOOL CHOIR
Chorus-Master, John Walker
THE THAMES CHAMBER ORCHESTRA Leader, Robert Masters
Conductor, MICHAEL DOBSON
A concert recorded tn Kingston
Parish Church promoted by The Thames Concert Society
Four talks by Erich Heller
1: The Theology of the Grecian Urn
Erich Heller describes the fascination that drew so many creative minds of the eighteenth and nineteenth centuries towards classical Greece. As his central example he chooses Keats's Ode to a Grecian Urn because it displays, in dealing with a Greek object, all the characteristic qualities by which, according to Hegel, ' Romantic ' art differs from ' Classical' art.
Broadcasting debut in this country of a young Turkish violinist
The pianist. ERNEST Lush
and eight other sonnets by Gerard Manley Hopkins read by CARLETON HOBBS
Introduced by RAYNER HEPPENSTALL
Third of four programmes
