MARY THOMAS (soprano)
Louis LEFF (E flat clarinet)
THEA KING (clarinet)
WILFRED HAMBLETON (bass-clarinetk
ERNEST Lush (piano)
Second broadcast
Dallapiccola, Sex Carmina Atcaei: November 27

by Joseph Bor translated by EDITH PARGETER read by GABRIEL Wool ,
Second broadcast

Preludes and Fugues:
No. 14, E flat major No. 17, A flat major played by SVIATOSLAV RICHTER (piano) on a gramophone record

Mary Stocks gives the last of her four commentaries on current affairs
November 7: Maurice Zinkin followed by an Interlude at 8.10

for United Nations Day
From New York
ISAAC STERN (violin)
LONDON SYMPHONY ORCHESTRA Leader, Erich Gruenberg
Conducted by GEORG SOLTI
8.52* UNITED NATIONS DAY MESSAGE from
The Secretary-General U Thant
9.0* From Geneva
SUISSE ROMANDE ORCHESTRA
Conducted by CARL SCHURICHT
' 9.21* From Prague
CZECH PHILHARMONIC ORCHESTRA
Conducted by KAREL ANCERL
Continued in next column
9.47* From Paris
BELLA ROUDENKO (soprano) SAMSON FRAN ÇOIS (piano)
MONTE CARLO OPERA ORCHESTRA
Conducted by Louis FRÉMAUX
Concert organised in collaboration with the United Nations and UNESCO

by ALFRED DORR
Recent research has cast doubt on many accepted ideas of Bach chronology. Alfred Diirr is one of the leading Bach scholars and in this talk he explains the factors that have led him to revise the chronology of the cantatas. He discusses the way in which this revised chronology casts new light on the traditional picture of the composer. followed by an interlude at 10M