at the Brussels Conservatoire played by AIMÉE VAN DE WIELE on a Thibaut harpsichord: on a Haas harpsichord:
The second of three recitals
Recorded tn collaboration with the Belgian Broadcasting Service

An anthology of poetry and prose by John Donne
Compiled and read by MARIUS GORING
† Second broadcast

tWind Section of the LONDON BAROQUE ORCHESTRA
Conductor, KARL HAAS
Part 1

† by W.A.WARD
Lecturer in English in the University of York
Mr. Ward not only dislikes the inaccuracies of official language but thinks that they are dangerous. Is there no hope that this official language might approach the facts of life a little more nearly?

Part 2

Two programmes about the channels of communication between artist and public
1: The Painter and his Public
Television and improvements in colour reproduction, among other developments of the last decades. have immensely increased the possibilities of mass popularisation of art. But is there a risk that the new media may be creating fashions and tastes which are less securely based on quality than when. as in earlier centuries, art historians and informed critics played a more exclusive role in directing taste?
† EDWARD LUCIE-SMITH considers this question in the light of conversations with some of those concerned:
HOWARD HODGKIN , painter
Francis HASKELL , art historian
JOHN LATHAM , painter
NANCY THOMAS of Monitor
Programme 2, The Patron and his Purpose; September 12

A morality play for radio by H. S. Eveling
A man finds himself, or imagines himself, to be guilty of a crime. the nature of which is uncertain. He seeks to annul the crime by ridding himself of his feelings of guilt ... he is left at the end with what is essential to him as a human being-his freedom. with Produced by JOHN TYDEMAN
Second broadcast

The second of four programmes in which the Italian String Trio plays all Beethoven's string trios