MAX HARRISON outlines, with records, Duke Ellington's pioneering of the longer jazz composition

by Friedrich Diirrenmatt translated by JAMES KIRKUP The Royal Shakespeare Company's production with Irene Worth , Cyril Cusack
Tony Church , Derek Godfrey
In the private sanatorium known as ' Les Cerisiers 'strange events have recently taken place. Three months ago one of the patients throttled a nurse and now the same thing has happened again. Cost in order of speaking:
Other parts played by Barry Ashton , John Cobner John Harwood
Gordon Honeycombe
Tony Steedman , Dane Howell Ian Lindsay , Pip Rolls
Einstein's violin played by Tessa Robbins
Piano played by Wilfrid Parry Stage production by PETER BROOK *
Radio adaptation and production by WILLIAM GLEN-DOEPEL

THOMAS STEWART (baritone)
ERNEST LUSH (piano) Brahms
Lied: Lindes Rauschen in den
Wipfeln Dein blaues Auge Nicht mehr zu dir zu gehes
Wolf Nachtzauber
Grenzen der Menschhelt
Der Tambour
Lied eines Verliebten
Nun lass uns Frieden schliessen
. Prometheus

by Fr. William Purdy, Professor of Philosophy at the Beda College, Rome

Some recently published books dealing with the Second Vatican Council have highlighted in a dramatic way certain stresses within the Roman Church, and in particular the clash between 'conservative' and 'progressive' elements. The struggle, it is argued, centres mainly upon the role of the Roman Curia, its implacable opposition to any kind of change and its apparent bid for power over both Pope and Council.
Is there, in fact, any such thing as 'the Curial mentality'? Father Purdy believes that there is; that it can be accounted for - though not necessarily vindicated - in historical terms; and that it must in future be radically changed.

(Second broadcast)

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