Programme Index

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A weekly review of the arts
In this edition on State Aid for the Arts
NIGEL J. ABERCROMBIE , the Secretary General of the Arts Council, discusses his recently published Annual Report with JOHN BOWEN , JEREMY NOBLE, and T. G. ROSENTHAL
Introduced by GEORGE MACBETH

Contributors

Unknown:
Nigel J. Abercrombie
Unknown:
John Bowen
Unknown:
T. G. Rosenthal
Introduced By:
George MacBeth

given before an invited audience in the Queen's Hall,
Leicester University
ROSEMARY PHILLIPS (contralto)
NEW Music ENSEMBLE
Rainer Schuelein (alto flute) Eric Allen (vibraphone)
Patricia Brady (xylophone) Richard Rodney Bennett (percussion)
Cornelius Cardew (guitar) Isabel Smith (viola)
Conducted by JOHN CAREWE
AEOLIAN STRING Quartet
Sydney Humphreys (violin) Raymond Keenlyside (violin) Watson Forbes (viola) Derek Simpson (cello) with Gwynne Edwards (viola)
Part 1

Contributors

Unknown:
Rainer Schuelein
Flute:
Eric Allen
Unknown:
Patricia Brady
Unknown:
Richard Rodney Bennett
Guitar:
Cornelius Cardew
Viola:
Isabel Smith
Conducted By:
John Carewe
Violin:
Raymond Keenlyside
Viola:
Watson Forbes
Cello:
Derek Simpson
Viola:
Gwynne Edwards

Studies in the Middle Ages
4: The English Vernacular in the early centuries First of two talks by ELIZABETH SALTER
Lecturer in English in the University of Cambridge
Before the Norman Conquest, English poetry and prose had reached a high level of sophisticated excellence. After the Norman disturbance a few well-written English pieces emerged in the thirteenth century.

Contributors

Unknown:
Elizabeth Salter

† Denis VAUCHAN , who was for some time assistant to Sir Thomas Beecham , talks about the way in which various great conductors approached orchestral rehearsals
His illustrations include excerpts from rehearsals by Toscanini, Walter, and Beecham. followed by an interlude at 10.56

Contributors

Unknown:
Denis Vauchan
Talks:
Thomas Beecham

Third Programme

Appears in

About this data

This data is drawn from the Radio Times magazine between 1923 and 2009. It shows what was scheduled to be broadcast, meaning it was subject to change and may not be accurate. More