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or The English Traveller in Rome circa 1820 by Joanna Richardson
Produced by Douglas Cleverdon with Maxine Audley , Robert Beaumont
Denise Bryer , Frank Duncan
Felix Felton , Hester Paton Brown
Eric Phillips , Leonard Sachs Ian Sadler , Eileen Thorndike and Molly Lawson
At the beginning of the nineteenth century the Piazza di Spagna was virtually an English colony. The huge travelling coaches of English milords, witih their retinues of servants and postillions and couriers, jolted past Bernini's boat-shaped fountain; artists' models in their carefully picturesque costumes hung around the foot of the Spanish Steps waiting for custom; a few yards away was the English Coffee House, with its walls decorated in the Egyptian style by Piranesi. 'As for the English ladies,' wrote Henry Matthews , ' they have metamorphosed Rome into a watering-place. One or other of them is " at home " every evening, and there are balls every week.' 'Maxine Audley is appearing in ' Penelope' at the Arts Theatre, London)

Contributors

Unknown:
Joanna Richardson
Produced By:
Douglas Cleverdon
Unknown:
Maxine Audley
Unknown:
Robert Beaumont
Unknown:
Denise Bryer
Unknown:
Frank Duncan
Unknown:
Felix Felton
Unknown:
Hester Paton Brown
Unknown:
Eric Phillips
Unknown:
Leonard Sachs
Unknown:
Ian Sadler
Unknown:
Eileen Thorndike
Unknown:
Molly Lawson
Unknown:
Piazza Di Spagna
Unknown:
Henry Matthews
Unknown:
Maxine Audley

Mass : Je suis desheritee
Sc.hola Polyphonica
Director. Henry Washington
For nearly fifteen years Nicholas Gombert was in charge of the chapel choir at the Emperor Charles V's court. This royal post afforded frequent opportunities for travel and gave Gombert a wide acquaintance with European music of the time. He took the rheme of his Mass ' Je suit desheritee ' (1557) from a four-part chanson by Pierre Cadeac. D.S.

Contributors

Director:
Henry Washington
Unknown:
Nicholas Gombert
Unknown:
Pierre Cadeac.

Third Programme

Appears in

About this data

This data is drawn from the Radio Times magazine between 1923 and 2009. It shows what was scheduled to be broadcast, meaning it was subject to change and may not be accurate. More