A selection from his poetry
Readers:
Douglas Leach , Anthony Schooling

Piano Sonata in E flat, Op. 27 No. 1 Piano Sonata in F sharp. Op. 78 played by Louis Kentner

The Bauhaus, 1919-1933 by Bruno Adler , who worked there from 1919 to 1924
Second of three talks on this experiment in aesthetic education and its Influence upon contemporary architecture and design

Dorothy Bond (soprano)
Joan Cross (soprano)
Megan Foster (soprano)
Betty Bannerman (mezzo-soprano)
(Continued in next column)
Alfred Hepworth (tenor)
Richard Lewis (tenor)
Ernest Frank (baritone)
Lovano (bass)
John Ticehurst (harpsichord)
The London Choir
(Conductor, Maurice Vinden )
New London Orchestra
(Leader, Max Salpeter )
Conducted by Roger Desormiere
Programme devised by Robert Collet
Music edited by Fernand Lamy
To be repeated on March 15
Part 1
' Castor and Pollux," Acto 1 and 2 (1754 version)

by E. M. Forster
(Originally broadcast as the introduction to a series of autobiographical talks in the BBC's Far Eastern Service.)

Part 2
' Dardanus," Act 4

J. Isaacs gives an appreciation of the friend and translator of Proust, who was patron of many of the poetic and artistic movements of his time
Hudson's book ' A True Story' has recently been re-published

Part 3
* Platee,' Act 1

by C. M. Woodhouse
The revolutionary type of today seems to be a very different figure from the familiar notion of the rebel—romantic. idealistic, adventurous. C. M. Wood house, who commanded the Allied Military Mission to the Greek guerrillas In 1943 and has studied the new type of revolutionary, describes what he knows of his characteristics. method, and background

by Elizabeth Bowen
Produced by R. D. Smith

played by Orrea Pemel (violin)
John Wills (piano)

Eighth of a series of reports on the Soviet point of view as expressed In the Soviet Press and broadcasts directed to listeners in the U.S.S.R.