Programme Index

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The Art of Fugue'
BBC Orchestra
Conducted by Walter Goehr
John Wills (organ and harpsichord)
Frederick Stone (harpsichord)
Part 1
The fourteen fugues or ' Counter-points ' of which Bach's last work consists are all built on a single theme: the last, left incomplete at his death, incorporating a subject based on the name BACH in German musical nomenclature. This was completed by Professor Tovey, who also provided an analysis demonstrating the many profound beauties of the vast work. Since Bach originally wrote the work without any indication of the instrumentation, an edited version is necessary for performance, the one used today being an adaptation, specially prepared for this broadcast by Walter Goehr, of his own and Matyas Seiber's arrangement and of the earlier arrangement for symphonic orchestra by Wolfgang Graeser, followed by Tovey's completion of the final fugue.

Contributors

Conducted By:
Walter Goehr
Conducted By:
John Wills
Harpsichord:
Frederick Stone

A serial survey of some contemporary verse—1
Presented by E. J. King Bull
The intention of these programmes, to be broadcast on Saturday evenings, is to afford listeners some opportunity of reviewing the typical work of poets now living and writing.
A sequence of four programmes will be devoted to each Poet and Critic. The first comprises a number of poems selected by the Critic as an introduction. In the second, the Critic will express his personal attitude to poetry and his appreciation of the Poet. In the third, the Poet will reply. The fourth programme, introduced also by the Critic, will consist of further examples of the Poet's works. which they will have chosen in collaboration.

Contributors

Presented By:
E. J. King Bull
The Poet:
Edith Sitwell
The Critic:
Henry Reed
The Readers:
Catherine Lacey
The Readers and:
Dylan Thomas

Third Programme

Appears in

About this data

This data is drawn from the Radio Times magazine between 1923 and 2009. It shows what was scheduled to be broadcast, meaning it was subject to change and may not be accurate. More