and Weather Forecast
BBC WELSH ORCHESTRA Leader, Colin Staveley
Conductor, JOHN CAREWE
and Weather Forecast
A request programme of gramophone records
and Weather Forecast
Beethoven
Octet in E flat major, OP. 103, for two oboes, two clarinets, two horns', and two bassoons
London WIND SOLOISTS Directed by JACK BRYMER (clarinet)
9.2V Fantasia in C minor, for piano, chorus, and orchestra
ANDOR FOLDES
BERLIN RADIO CHAMBER CHOIR BERLIN MOTET CHOIR
BERLIN PHLHARMONIC ORCHESTRA Conducted by FRITZ LEHMANN gramophone records
JAMES LEWINGTON (tenor)
WILFRID PARRY (piano)
NORMA FISHER (piano)
BBC Scottish SYMPHONY ORCHESTRA Leader, Tom Rowlette
Conducted by NORMAN DEL MAR
HARVARD GLEE CLUB
RADCLIFFE CHORAL SOCIETY
Conducted by ELLIOT FORBES
From Leith Town Hall. Edinburgh
Part I
About the maypole - Morlea
11.5* Aus dem Dankliede zu Cott; Die Harmonic in der Ehe - Haydn
11.14* Credo - Stravinsky
11.20* Psalmus poenitentialis VII - Lassus
Norwegian bridal procession
Butterfly; Little bird (Lyric Pieces) played by THE COMPOSER
Piano roll record
Part 2 followed by an interlude
JACK BRYMER
(clarinet and alto-saxophone)
BBC Concert ORCHESTRA Leader, Arthur Leavins
Conducted by CHARLES MACKERRAS
0 Part 1
and Weather Forecast
0 Part 2
Conducted by KENNETH ALWYN
0 plays
Tchaikovsky
Italian Caprice Marche slave gramophone record
Leader, David Adams
Conducted by BRYAN KELLY
KENNETH LEIGHTON and HOWARD FERGUSON introduce and play their own music
gramophone records
Sixth of ten programmes
0 The best of present-day jazz on records
Introduced by CHARLES Fox
A series of nine programmes
9: Cynara by Ernest Dowson
Introduced and read by PATRIC DICKINSON
A series of programmes in which a speaker talks about a book worth returning to
Sir LEARIE CONSTANTINE on Good Days by Neville Cardus with readings by GABRIEL WOOLF
Produced by Peggy Bacon
First broadcast April 14. 1967
Fourteen illustrated talks by ROGER FISKE
10: Romantic Music-New Colours
The main impetus for the development of the orchestra in the nineteenth century came from the Romantic desire to use music to express ideals and ideas and to tell stories. In the theatre the orchestra became at least as important to the narration as the singers, necessitating a new range of expressive instrumental effects. and even in the concert-hall only conservative composers paid more attention to symphonies than to tone-poems.
Produced by Peter Dodd
First broadcast December 7. 1966
A weekly review
Edinburgh Festival 1967
PHILIP HOPE-WALLACE talks to OLEG KERENSKY about the first of four programmes presented by the New York City Ballet at the Empire Theatre
. introduces DAVID HAWORTH talking to BARRY BERMANGE about his two one-act plays to be performed by the Hampstead Theatre Club at the Church Hill Theatre. and reviews an exhibition illustrating the life of James Boswell at the Scottish National Gallery of Modern Art
Experiences of Auschwitz, Buchenwald, and other camps through the recorded words of a group of friends who survived and now live in London
Compiled by ALASDAIR CLAYRE
Produced by Maurice Brown .
Mahler
Lob des hohen Verstandes
Des Antonius von Padua Fischpredigt
Schoenberg
Hochzeitslied
Freihold (Songs, Op. 3)
Am Wegrand (Songs, Op. 6)
In diesen Wintertage.n (Songs.
Op. 14)
APRIL CANTELO (soprano) PAUL HAMBURGER (piano)
Third broadcast: originally broadcast November 3. 1966 followed by an interlude at 8.55
for the Advancement of Science
Presidential Address
SCIENCE, TECHNOLOGY AND SOCIETY by Lord Jackson of Burnley, F.R.S. The 129th Annual Meeting of the British Association opens this evening and the Presidential Address is being broadcast direct from the Town Hall, Leeds
AMADEUS STRING QUARTET Norbert Brainin (violin) Siegmund Nissel (violin) Peter Schidlof (vola) Martin Lovett (cello)
Fourth in a series of six programmes
Haydn, G major, Op. 64 No. 4, Schubert, D minor (Death and the Maiden): September 2 followed by an interlude at 10.55
Today's overseas commodity and financial news. London Stock Market closing report
