Programme Index

Discover 11,128,835 listings and 281,456 playable programmes from the BBC

A weekly review edited by Anna Instone and Julian Herbage
Introduced by JULIAN HERBAGE
The Twentieth Aldeburgh Festival: contributed by PAUL DEHN , COLIN GRAHAM , and IMOGEN HOLST
Geraldine Farrar (1882-1967): by DESMOND SHAWE-TAYLOR
George Frideric Handel : book review by STANLEY SADIE

Contributors

Edited By:
Anna Instone
Introduced By:
Julian Herbage
Unknown:
Paul Dehn
Unknown:
Colin Graham
Unknown:
Imogen Holst
Unknown:
Geraldine Farrar
Unknown:
Desmond Shawe-Taylor
Unknown:
George Frideric Handel
Review By:
Stanley Sadie

JEAN-CHRISTOPHE BENOIT (baritone) FRANCIS POULENC (piano) JACQUES FÉVRIER (piano)
PARIS/CONSERVATOIRE ORCHESTRA Conducted by GEORGES PRÊTRE
Cantata: Le bal masque
12.19* Concerto in D minor, for two pianos and orchestra
gramophone records

Contributors

Baritone:
Jean-Christophe Benoit
Piano:
Francis Poulenc
Conducted By:
Georges Prêtre

Excerpts from the opera by Charpentier
Libretto by THE COMPOSER
Sung in French: gramophone records
CHORUS AND ORCHESTRA OF THE OPÉRA-COMIQUE, PARIS
Conducted by JEAN FouRNET
The action takes place In Paris

Contributors

Conducted By:
Jean Fournet

Trio-Sonata in G minor (G.H.S.
Op. 2 No. 6)
1.54' Cantata: Tu fedel? Tu costante? for soprano, two violins, and continuo
2.14' Trio-Sonata in E major
(G.H.S. Op. 2 No. 9)
GOLDSBROUGH ENSEMBLE:
Emanuel Hurwitz , Nona Liddell
Terence Weil , Arnold Goldsbrough SHEILA ARMSTRONG (soprano) NEVILLE MARRINER (violin) DIANA CUMMINGS (violin) JOY HALL (cello)
PHILIP LEDGER (harpsichord)
Third broadcast of the trio-sonatas, second of the cantata
Seventh in an extended series of programmes devoted to a wide range of Handel's music
Choral and orchestral music: July 9

Contributors

Unknown:
Emanuel Hurwitz
Unknown:
Nona Liddell
Unknown:
Terence Weil
Unknown:
Arnold Goldsbrough
Soprano:
Sheila Armstrong
Violin:
Neville Marriner
Violin:
Diana Cummings

A series of nine talks in which scientists talk about concepts crucial to their field of study
6: Symmetry by PROFESSOR S. TOLANSKY
Royal Holloway College, London
All of us have some general notions of what is meant by symmetry. To a scientist, the concept of symmetry is probably more important than to most people, because he tends to associate it with simplicity. Yet nature very rarely indeed offers up true symmetry-what we usually see is an imperfect symmetry-and only when we get down to a sub-nuclear level of study do we find perfection in the arrangements of things.
June 11: Weak interactions of elementary particles, by Professor Roger Blin-Stoyle

Contributors

Unknown:
Roger Blin-Stoyle

A new play for radio by David Pinner with Robert Stephens, Peter Sallis, Patricia Routledge
A black comedy about a suicide which might have been a murder, a murder which might have been a suicide. Music and special effects by the BBC RADIOPHONIC WORKSHOP
Produced by MARTIN ESSLIN
Second broadcast
Robert Stephens is a National Theatre player; Peter Sallis is in ' Wait Until Dark ' at the Duchess Theatre London followed by an interlude at 8 25

Contributors

Unknown:
David Pinner
Unknown:
Robert Stephens
Unknown:
Peter Sallis
Unknown:
Patricia Routledge
George Harbuck:
Peter Sallis
First Mrs:
Gladys Spencer
Second Mrs:
Barbara Mitchell
Bus Driver:
Geoffrey Matthews
Simon:
Robert Stephens
Sara Harbuck:
Patricia Routledge
Third Mrs:
Anna Burden
Mum:
Mary O'Farrell
Miss Cook:
Beth Boyd
Policeman:
Victor Lucas

Choral and Orchestral Concert
Heather Harper (soprano) Peter Pears (tenor)
Fou Ts'ong (piano)
Chorus of East Anglian Choirs
ALDEBURGH festival SINGERS SUFFOLK SINGERS
BROADLAND SINGERS (Norwich) CANTATA SINGERS (Ipswich)
LANTERN SINGERS (Lowestoft) WOLSEY CONSORT (Ipswich)
UNIVERSITY OF EAST ANGLIA CHOIR
PHILIP LEDGER
(harpsichord continuo)
English Chamber Orchestra Leader, Emanuel Hurwitz
Conducted by Benjamin Britten
From the Maltings, Snape
Part 1

Contributors

Soprano:
Heather Harper
Tenor:
Peter Pears
Leader:
Emanuel Hurwitz
Conducted By:
Benjamin Britten

Four talks on the impact of painting on English poetry in the mid-nineteenth century
4: Robert Browning by PHILIP DREW
Mr. Drew outlines Browning's concept of the relationship between the poet and the practitioners of the other arts. He suggests some interesting differences in approach between the Browning of Parleyinas with Certain People of Importance in their Day and modern aesthetic critics.
See also Thursday at 10.5 p.m.

Contributors

Unknown:
Robert Browning
Unknown:
Philip Drew

REYNER BANHAM on the recently opened Queen Elizabeth and Purcell Halls, London
The completion of the concert-hall complex on the South Bank reveals the fourth monument in a national Valhalla of architectural styles, aspirations, and reputations; County Hall, the Shell Building, and the Royal Festival Hall being the first three, and the National Theatre presumably - the fifth.
Second broadcast

Contributors

Unknown:
Reyner Banham

Concerto in A major, for two orchestras
FRANCO FANTINI (violin)
KAMIEL D'HOOGHE (organ) I SOLISTI DI MILANO and LES Solistes DE BRUXELLES
Conducted by ANGELO EPHRIKIAN gramophone record

Contributors

Unknown:
Solisti Di Milano
Conducted By:
Angelo Ephrikian

Network Three

Appears in

About this data

This data is drawn from the Radio Times magazine between 1923 and 2009. It shows what was scheduled to be broadcast, meaning it was subject to change and may not be accurate. More