Consultation Match: London v. Manchester
Ilford Chess Club (London League Champions)
J.B. Hawson, H.I. Woolverton, Dr. B. Sturgeon
Manchester Chess Club
J. Wolstenholme, Dr. B.H. Neumann, C.G. Hilton

The moves till now:
(1) P-Q4. Kt-KB3; (2) P-QB4 P-KKt3: (3) Kt-QB3. B-Kt2; (4) P-K4, P-Q3: (5) B-K2, Castles; (6) B-Kt5, P-QB3: (7) P-KB4, QKt-Q2: (8) Kt-B3, Q-Kt3: (9) P-K5, QxKtP; (10) Q-Bl, QxQch.: (11) RxQ. PxP; (12) BPxP. Kt-Kt5: (13) BxP, R-Kl; (14) B-Q6. P-B3: (15) P-B5. B-R3; (16) B-B4ch... K-Kt2: (17) Castles, BxR; (18) RxB, Kt-K6
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Master v. Listeners
Competition Game
The master: C. H. O'D. Alexander
For the listeners: Leonard Barden
The first eighteen moves were:
(1) P-K4. P-Q3 (2) P-Q4. Kt-KB3; (3) Kt-QB3. P-KKt3: (4) B-K2, B-Kt2; (5) P-KR4. P-B4; (6) PxP, Q-R4: (7) B-Q2. QxBP: (8) P-R5. Castles: (9) Kt-R3. Kt-B3; (10) Kt-B4. Kt-Q5; (11) B-Q3, R-Kl; (12) QKt-Q5, B-Kt5; (13) KtxKtch, PxKt; (14) P-KB3. P-KB4; (15) P-B3. BPxP: (16) PxKt. PxP dis. ch.; (17) K-B1, PxPch.; (18) KxP, Q-KKt4
* * *
Find the Continuation
A competition series for listeners
Position No. 6 set by G.W. Chandler
White to play and mate in two moves
* * *
What's Wrong with Black?
Talk by Gerald Abrahams

What do we know of the American Theatre?
We are becoming familiar with American dramatic writers, but few know the New York actors and stage for which they write
Broadway Actors
MARGARET WEBSTER , the British actress who for a number of years has been producing plays and operas on Broadway, has been on a visit to England and has recorded her impressions of American acting, the power of American critics, and the economy of the New York theatre
A Great Project for the Performing Arts
MICHEL SAINT-DENIS , C.B.E., former general director of the Old Vic Centre and the Regional Centre in Strasbourg, examines the scope and significance of the Lincoln Centre for the Performing Arts which is to house the opera. ballet, drama, the associated schools, and an experimental theatre
Off-Broadway
CHARLES MAROWITZ , an American theatre correspondent who has produced plays in Greenwich Village, tries to show that ' Off-Broadway,' far from being a growth on the fringe of Broadway, has been making a vital contribution to New York theatre
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