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Arranged by the PEOPLE'S CONCERT SOCIETY in co-operation with the B.B.C.
FIRST CONCERT OF FIFTH SERIES
This is the first of three programmes, the first parts of which will feature works by John Sebastian Bach (1685-1750)
THE PEOPLE'S Concert ORCHESTRA Conductor, CHARLES WOODHOUSE
Principal Violin, GEORGE STRATTON Solo Flute, ROBERT MURCHIE
The second part of the programme will include miscellaneous items, the titles of which will be given out by the Announcer.

Contributors

Unknown:
John Sebastian Bach
Conductor:
Charles Woodhouse
Violin:
George Stratton
Flute:
Robert Murchie

by STUART ROBERTSON (Bass)
DAME NELLIE MELBA has specially chosen
Mr. Stuart Robertson to accompany her on her forthcoming Australian Farewell Tour-a high honour for so young a singer. Mr. Robertson's broadcasts during the last two years have done a great deal to earn for him his reputation as one of the most promising of young English singers.

Contributors

Bass:
Stuart Robertson
Unknown:
Dame Nellie Melba
Unknown:
Mr. Stuart Robertson

Conducting a Programme of his Music, with GEORGE BAKER (Baritone) and THE WIRELESS ORCHESTRA
Overture Humoresquo
La Belle Dame Sans Merci (Keats)—Ballad for
Baritone and Orchestra.
(Soloist : GEORGE BAKER )
Four Dances (The Blue Bird)
NORMAN O'NEILL is an Irishman who studied music in London (under Dr. Arthur
Somervell) and at Frankfort, and has leanings towards French culture.

Contributors

Baritone:
George Baker
Soloist:
George Baker
Unknown:
Norman O'Neill

A Comedy in One Act by W. P. LIPSCOMB
SCENE : Any sort of room that a bachelor with taste, any amount of leisure, and not a little money might reasonably be supposed to occupy. One could spend a most comfortable night in any of the great arm-chairs or the chesterfield ; and, anyway, one couldn't wishfor a better companion at any time than Bill, who is genial, suave, and deliberate throughout.

Contributors

Unknown:
W. P. Lipscomb
Characters Burton:
Gilbert Ritchie
Bill:
Tristan Rawson
Hardiada:
Harold Kimberley
Ethel:
Dorothy Tetley

2LO London

Appears in

About this data

This data is drawn from the Radio Times magazine between 1923 and 2009. It shows what was scheduled to be broadcast, meaning it was subject to change and may not be accurate. More