Nat Allen and his Sextet

and forecast for farmers and shipping

(Leader, Frederick Lunnon )
Conductor, Frank Cantell

Readings from the Gospels
' Christ the Man '

and forecast for farmers and shipping

Charles Williams and his Concert Orchestra

(piano)

by Alistair Cooke

BACH
Music for harpsichord, including the Italian Concerto and the Chromatic Fantasia and Fugue on gramophone records

Come down. 0 Love Divine (A. and M. 670; S.P. 177)
New Every Morning, page 44 Psalm 86 (Broadcast Psalter) St Matthew 19. vv. 16-30
Immortal love. for ever full (S.P. 536)

Band of the Royal Corps of Signals
Conducted by Captain John L. Judd M.B.E. ,
Director of Music

and his Mandoliers with Ashley Crawford

'Short List' by R. Philmore
Read by Donald Bisset
11—' Winterton Explodes a Squib'

A song-a-minute selection of popular melodies old and new sung by Edmund Hockridge
Carole Carr , Louise .Traill Alan Dean , Marie Benson and the Song Pedlars with instrumental accompaniment
Producer, Johnnie Stewart

with Michael Howard
John Hanson , Jack Watson and the Stargazers
At the organ, Eric Easton At the piano. James Moody
Recorded at H.M.T.E. Dauntless, Burghfleld Common, near Reading

and forecast for farmers and shipping

Harry Davidson and his Orchestra
, with Robert Easton
Introduced by Freddy Grisewood
Master of Ceremonies,
C. A. Crathorn
Producer, Stanton Jefferies

Lunchtime scoreboard

BBC Scottish Orchestra
(Leader, J. Mouland Begbie ) Conducted by John Hopkins

Shipping and general weather forecasts, followed by a detailed forecast for South-East England

A talk by Ian Niall
Much goes on under your feet as you walk through the long grass of summer; and if you sprawl at eye-level a new world opens-a jungle world.

Anthony Pini (cello)
London Philharmonic Orchestra
(Leader, David Wise)
Conducted by Basil Cameron
From the Royal Albert Hall, London (Tickets may be obtained from the Royal Albert Hall or usual agents)
Is it, one wonders, the 'proud full sail' of the great tune in the finale that has gained for Sibelius's Second Symphony an especial popularity? But there are other attractive features. In the opening movement the listener may take delight, not only in, its pastoral-like character, but in the way the several strands of the music are transformed and take their place in the general design. The slow movement, after a phantom-like beginning, has a tender episode in F sharp. There is also a ravishing oboe melody in the middle section of the fast-moving Scherzo; this is heard again before the music grows in intensity and the way is prepared for the resplendent pageantry of the finale, which succeeds without a break. (Harold Rutland)

See top of page and page 8

Eric Greene (tenor)
Aeolian String Quartet:
Alfred Cave (violin)
Leonard Dight (violin)
Watson Forbes (viola)
John Moore (cello)
Frederick Stone (piano)
Julian Bream (guitar)