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Boyce Symphony No 7 in B flat
ACADEMY OF ST MARTIN-IN-THE-FlELDS/
NEVILLE MARRINER
7.10* Francaix Six danses exotiques: GENEVIEVE JOY and JACQUELINE ROBIN-BONNEAU (piano duet)
7.17* Butterworth The Banks of Green Willow: ECO/JEFFREY TATE
7.30 News
7.35 Chabrier Suite pastorale FRENCH NATIONAL ORCHESTRA/
ARMIN JORDAN
7.55* Debussy, arr Caplet Boite ajoujoux: BASLE SO/ARMIN JORDAN Records
Liszt Les Preludes
AMSTERDAM CONCERTGEBOUW
ORCHESTRA/BERNARD HAITINK
Grand Fantasia on themes from Lelio: MICHEL BEROFF (piano)
LEIPZIG GEWANDHAUS ORCHESTRA/
KURTMASUR
Elegy: ANNER BYLSMA (cello) GERDA OCKERS (harp)
REINBERT DE LEEUW (piano)
BOB ZIMMERMAN (harmonium) Orpheus
HUNGARIAN STATE ORCHESTRA/ JANOS FERENCSIK. Records
CoreUi Concerto Grosso, Op 6 No 8 (Christmas Eve)
LA PETITE BANDE/SIGISWALD KUIJKEN Schiitz The Christmas Story (excerpts)
TAVERNER CONSORT. CHOIR AND
PLAYERS/ANDREW PARROTT
Praetorius In dulci jubilo
TAVERNER CONSORT. CHOIR AND
PLAYERS/ANDREW PARROTT. Records
SILLITO'MILNE FLEMING TRIO
Haydn Piano Trio in E (H xv 28) Mendelssohn Piano Trio No 2 in c minor, Op 66. BBC Bristol (R)
Presented by Susan Sharpe
Hindemith Kammermusik No 3, Op 36 No 2: ANNER BYLSMA (cello) CONCERTO AMSTERDAM
11.17* Schubert Drei Klavierstucke (D 946) IAN LAKE (piano)
11.39* Mercadante Flute Concerto in E minor
SEVERINO GAZZELLONI ; I MUSICI
12.00* Kodaly Serenade in F, Op 12: PINA CARMIRELLI (violin) IGOR ozim (violin) MAX ROSTAL (viola)
12.23* Scharwenka Piano
Concerto No 1 in B flat minor
EARL WILD
BOSTON SO/ERICH LEINSDORF. Records
live from the BBC Concert Hall, Broadcasting House, London RICHARD JACKSON (baritone) GRAHAM JOHNSON (piano)
Brahms Meine Liebe ist griin; An ein Veilchen; Blinde Kuh ;
In Waldeseinsamkeit; Aufdem Kirchhofe ; Vergebliches Standchen
Dvorak My Song Resounds; My Heart Is Filled with Pain;
I Have a Grey Horse; Songs My Mother Taught Me; Koljas (sung in Czech)
Tchaikovsky Evening; Night; My Genius, My Angel, My
Friend; Blue Eyes of Spring; No Reply, Not a Word, Not a Greeting; I Bless You, Forests (sung in Russian)
John Beckett introduces recordings of pioneers in the performance of early music, beginning with Arnold Dolmetsch and ending with the last castrate
for the Feast of St Matthew, live from Westminster Cathedral sung by the men's voices of the choir.
Introit: Deus in adiutorium (plainsong)
Hymn: Exsultet caelum laudibus (plainsong) Psalms: 115 (Credidi); 125 (In convertendo)
Canticle: Benedictus Deus (Ephesians 1, vv 3-10)
Reading (JB): Ephesians 4, w 1-16 Homily FR TERENCE PHIPPS
Responsary: Annuntiate inter gentes
Magnificat antiphon: Qui sequitur me
Magnificat: Tertii toni (Victoria) Motet: Mihi autem nimis (Tallis) Antiphon to the Blessed Virgin Mary: Salve Regina (Cavalli) Organ voluntary: Prelude and Fugue in A minor (Bach, bwv 543) Celebrant FR JOHN ARNOLD
Master of Music JAMES O'DONNELL Assistant Master of Music
IAIN SIMCOCK
Presented by Michael Berkeley Producer JEREMY HAYES BBC Pebble Mill
played by the Brazilian guitarist DAGOBERTO LINHARES Sao Marcos La mer
Piazzolla Verano Porteno;
Milonga del angel; Muerta del angel
Savio Seroes; Sonha laia Pernambuco Sons de carrilhoes; Jongo
Taking Issue
Issues of politics and the arts are raised in a discussion chaired by Robert Hewison. Producer JULIAN HALE
Introduced by Graham Dixon The service of second Vespers for the feast of Santa Barbara, the patron saint of the Gonzaga family, as it may have been heard in the ducal chapel in about 1608, performed on record by THE SIXTEEN directed by HARRY CHRISTOPHERS.
Including music from
Monteverdi's 1610 publication.
A series of five programmes about T.S. Eliot 's last great enterprise as a poet - the work with which he attempted to
'insinuate the whole history of a language and a civilisation' into his writing. From tomorrow, the programmes are framed with two complete readings of the poems: by Alec Guinness , first broadcast in 1973, and by John Franklyn-Robbins , first broadcast in 1983. 1: Civilised Doubts
'There are some words whose history is almost the history of England.' T.S. ELIOT
Dr Eric Griffiths. Fellow of Trinity College, Cambridge, looks at Eliot's words in his journalism and letters, reflects on the poet's unfashionable uncertainty about political conviction, and describes how Eliot's scrutiny of his society found its way into the Four Quartets.
With Maurice Cowling. Readers MARTIN JARVIS and ALEX JENNINGS
Producer THOMAS SUTCLIFFE (R)
Some part ofmypoore labours have found favour in the greatest part of Europe, and been printed in the eight most famous cities beyond the seas. JOHN DOWLAND
(A Pilgrime's Solace, 1612)
Nicholas Kenyon and Peter Holman introduce
English consort music from the court of Kassel.
PARLEY OF INSTRUMENTS directed by PETER HOLMAN and MARK CAUDLE
NEW LONDON CONSORT directed by philip PICKETT
Lennox Berkeley
Trio, Op 44, for violin, horn, and piano (Mono)
Symphony No 2, Op 51
Seemanns Abschied
HERMANN PREY (baritone)
KONRAD RICHTER (piano) Record
