Spohr Duo Concertante in D, Op 67 No 2
PINCHAS ZUKERMAN and ITEZHAK PERLMAN (violins)
7.24* Mendelssohn, arr Sheen Konzertstiick in D minor,
Op 114 No 2: ECO WIND ENSEMBLE THEA KING (clarinet)
JULIAN FARREL (basset-hom)
7.32* Schubert Sonata in A minor (D 821) (Arpeggione) YURI BASHMET (viola)
MIKHAIL MUNTYAN (piano)
8.0 News
8.5 Russian folk song: My garden
STATE ACADEMIC RUSSIAN CHOIR/
A. SVESHNIKOV
8.9* Stravinsky Quatre etudes FRENCH NATIONAL ORCHESTRA/
PIERRE BOULEZ
8.18* Ippolitov-Ivanov Three romances to poems by Tagore IRINA ARKHIPOVA (mezzo-soprano) G. ZABOROV (violin) A. YESIPOV (cello)
V. VIKTOROV (piano)
8.26* Prokofiev Romeo and Juliet: Suite No 2, Op 64b
NATIONAL SO OF WASHINGTON DC/
MSTISLAV ROSTROPOVICH records
Constant Lambert and Friends In Lambert lay our only hope of an English Diaghilev.
(DAME NINETTE DE VALOIS )
Lambert Ballet: Pomona
ECO/NORMAN DEL MAR
Berners Tango and Waltz (A Wedding Bouquet, 1937) CHORUS AND ORCHESTRA OF THE
ROYAL OPERA HOUSE, CO VENT
GARDEN/ROBERT IRVING (1956 recording)
Lambert Ballet suite: Horoscope LSO/ROBERT IRVING (1953 recording) records
JEAN DE BRUNHOFF'S classic tale of the lonely orphan who became King of the Elephants is told by Clive Swift , with the music of Francis Poulenc played on the piano by DAVID MASON.
Producer PETER PAUL NASH
Quintet in E flat major, Op 102, for clarinet and strings THEA KING (clarinet)
MEDICI STRING QUARTET
Paul Robertson (violin) David Matthews (violin)
Ivo-Jan van der Werff (viola) Anthony Lewis (cello) (R)
What happens to an art form that seems to have had its day? Stephen Games talks to Charles Strouse, William Finn and Michael Starobin about the state of the American musical. (R)
GORDON FERGUS THOMPSON (piano) BBC CONCERT ORCHESTRA leader MARTIN LOVEDAY conductor ASHLEY LAWRENCE Grieg Wedding day at Troldhaugen
Haydn Wood Mannin Veen Saint-Saens, arr Godowsky The swan
Chopin, arr Godowsky Concert Paraphrase, Op 18 No 1
Johann Strauss (son) Waltz:
Wine, Woman and Song, Op 333 Aladar Majorossy Fairy Tale (first UK broadcast)
Mendelssohn Rondo brillant, Op 29
5: Stan Getz
This American tenor player's style of 'cool jazz' was particularly appreciated in the Scandinavian countries which he visited during the 50s.
Dave Gelly describes his impact and introduces records he made with the Swedish AU-Stars.
led by BEN BUURMAN conducted by Sir Charles Groves
Erich Gruenberg (violin)
Grieg Suite: Sigurd Jorsalfar
Nielsen Violin Concerto
2.0* Interval Reading
2.5* Halvorsen Entry of the Boyares
Sibelius Symphony No 6, in D minor
(Given on 11 October in the MacRobert Arts Centre, University of Stirling)
Critics' Choice 1986
Alan Blyth , Richard Osborne ,
Lionel Salter and John Warrack discuss with Paul Vaughan their selection of the year's outstanding issues.
Producer ANTHONY CHEEVERS
direct from St Clement Danes Church, London Introit: There is no rose (Joubert)
Responses (Smith) Psalms 145,146
(Edwards, Jacob) First lesson (AV):
Deuteronomy 10, v 12 to 11, v 1 Canticles (Murrill in E) Second lesson (AV): Luke 21, w 25-36
Anthem: 0 magnum mysterium (Byrd) Organ voluntary: Chorale Prelude:
In dir ist Freude (Bach, bwv 615) Director of Music
MARTINDALE SIDWELL Assistant Organist HOWARD MOODY
Introduced by Tony Scotland Mozart Minuet
(Divertimento in D, K 334)
ACADEMY OF ST MARTIN-IN THE FIELDS/
SIR NEVILLE MARRINER
Scarlatti Sonata in D (Kk 9) (mono): DINU LIPATTI (piano)
Gordon Jacob The Barber of Seville Goes to the Devil
CITY OF HULL YOUTH ORCHESTRA/
GEOFFREY HEALD-SMITH
John Foulds April - England PETER JACOBS (piano)
Vaughan Williams Tuba Concerto in F minor
JOHN FLETCHER
LSO/ANDRÉ PREVIN
Saint-Saens Etude en forme de valse
ALDO CICCOLINI (piano)
Ponce Estrellita (mono) NINA KOSHETZ (soprano) With ORCHESTRA
Byrd, arr Howarth The Battell PHILIP JONES BRASS ENSEMBLE/
ELGAR HOWARTH records
Opera in three acts
Music by George Gershwin Book and lyrics by DUBOSE HEYWARD and IRA GERSHWIN
Last summer's highly-acclaimed Glyndebourne Festival production
GLYNDEBOURNE CHORUS
LONDON PHILHARMONIC ORCHESTRA leader DAVID NOLAN conducted by SIMON RATTLE
Act 1 and Act 2, scenes 1 and 2
The third of four conversations in which John Houseman discusses, with Christopher Cook , his years in Hollywood, where he helped write the first draft of Citizen Kane and later worked as a producer at
Paramount, RKO and MGM. ('Houseman on American Theatre Today' on Friday at 8.5pm)
Act 2, scenes 3-4, and Act 3 (R)
Presented by Nigel Andrews
No 29, in B flat, Op 106 (Hammerklavier) played by John Lill
(Given on 28 November in the Barbican, London)
Welcome to 1987!
