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Ravel Daphnis and Chloe: Suite No 2
CLEVELAND ORCHESTRA conducted by GEORGE SZEI ,L
7.22* Schumann Symphony No 2, in c
BERLIN PHILHARMONIC ORCHESTRA conducted by HERBERT VON KARAJAN gramophone records

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Mozart Symphony No 33, in B flat (K 319)
CLEVELAND ORCHESTRA conducted by GEORGE SZEI ,L
8.25* Gluck Chaconne (Paride ed Elena)
STUTTGART CHAMBER ORCHESTRA conducted by KARL munchinger
8.35* Bach, arr Walton Suite: The Wise Virgins
CONCERT ARTS ORCHESTRA conducted by ROBERT IRVING gramophone records

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Clarinet Quintet in B minor. Op 115
MEMBERS OF THE VIENNA OCTET gramophone record

RALPH HOLMES (violin) BBC WELSH ORCHESTRA conducted by JOHN carewe Malcolm Lipkin Mosaic
18.0* Vieuxtemps Violin Concerto No 5, in A minor
10.21* Mozart Symphony No 29, in A (K 201)

AGNES giebel (soprano) JAKOB STAMPFLI (bass)
WINIFRlED RUESSMANN (violin) OTTAVIA KORTMAR (violin) WURTTEMBERG CHAMBER ORCHESTRA leader GEORGE EGGER conducted by JÖRG faerber Part 1
Concerto in d minor, for two violins and string orchestra
Cantata No 32: Liebster Jesu , mein Verlangen

What Makes Old Music
Oldt Basil Lam raises a basic aesthetic problem,

Part 2
Cantata No 84: Ich bin vergniigt mit meinem Glücke
Cantata No 56: Ich will den Kreuzstab gerne tragen
(A public concert given in the Queen Elizabeth Hall , London, on 2 May as part of the 1974 English Bach Festival)

conducted by BERNARD HAITINK Part 1
Debussy Prélude a l'apres-midi d'un faune
Ravel Rapsodie espagnole

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Part 2 Bruckner
Symphony No 1, in c minor (Linz version, 1866)
(Recording made available by courtesy of Bavarian Radio)

First of two programmes in which
COLIN TILNEY (harpsichord) introduces and plays works by Bach, Frescobaldi, Bohm, Johann Fischer , Purcell and Handel.

Hindemith Quartet No 6, in E flat
Reger Quartet in G minor, Op 54 No 1
HEUTI.1NG STRING QUARTET

A Lieder recital by the Dutch baritone with PAUL HAMBURGER (piano) Schubert Philoktet ; Orest auf Tauris; Der entsuhnte Orest
Wolf Der Soldat I, II; Lieber Alles ; Der Scholar
Frank Martin Six Monologues from Jedermann

Recorded by JENNIFER RATE in St James 's Church, Muswell Hill, London
Liszt Variations on a theme of Bach: Weinen, Klagen, Sorgen,
Zagen Schumann Four Sketches, Op 58
Liszt Prelude and Fugue on BACH
(Jennifer Bate plays Liszt in tomorrow's Prom)

LOCHGEI.LY PUBLIC BRASS BAND conductor ENOCH JACKSON
Edward Gregson Prelude for an Occasion
Bryan Kelly Divertimento for Brass
Edward Gregson Suite: Plantagenets
Bryan Kelly Overture: Provence

(medium wave only)
Music for the early evening played by
London Studio Strings conducted by Alan Suttie
BBC Northern Ireland Orchestra conducted by Havelock Nelson
with artists on records

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(continued)

C.30 What's Happened to the Town Hall?
Eight programmes on the effects of local government re-organisation
Introduced by DUDLEY LOFTS , Director of the Local Government Training Board
2: The Metropolitan County
What will be the effects of this new type of structure in an area such as Greater Manchester?
7.0 Borrowing and Lending
Five programmes about personal finance and the money market.
Presented by PAUL GRIFFITHS 2: Sort-mono Cash
How easily can you borrow a lump sum, and at what price?

Direct from the Royal Albert Hall, London
BBC Singers, director John Poole
BBC Northern Symphony Orchestra, leader Barry Griffiths, conductor Raymond Leppard

Part 1
Tippett Praeludium for brass, bells and percussion
Ritual Dances (The Midsummer Marriage)

8.5* Dido - as Virgil Intended?
Dr Nicholas Horsfall, Lecturer in Greek and Latin at University College, London, argues that English writers - Nahum Tate included - have created an image of Dido Queen of Carthage very different from that intended by Virgil in his Aeneid.

8.25* Proms 74: part 2
Purcell Dido and Aeneas

Purcell's one true opera dates from 1689. Except for Blow's Venus and Adonis no English opera prototype existed, so that Purcell, unhindered by convention, was able to experiment. The result is a masterpiece of great originality. The emotional climax of this famous love story of classical antiquity has become a classic of the stage and concert hall.

John Constable (harpsichord continuo)

(John Constable broadcasts by permission of the General Administrator, Royal Opera House Covent Garden)
(This Week's Proms : page 11)

1874-1939
HAROLD TRUSCOTT talks about this distinguished Austrian composer, and illustrates some varied aspects of his music. followed at 19.15* by a performance of Symphony No 2, in E flat major (1911-13) played by the AUSTRIAN RADIO SYMPHONY ORCHESTRA conducted by MILAN horvat
(Recording made available by courtesy of Austrian Radio) followed by an interlude

The Tony Hymas ,
Daryl Runswick Band
Presented by Alun Morgan Producer RAY HARVEY

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