Time: Big Ben 8.0 am

Handel Sonata in G, Op 1 No 5 ANDRE PEPIN (flute)
RAYMOND LEPPARD (harpsichord) CLAUDE VIALA (cello)
8.17* Beethoven Trio in B flat, Op 97 (The Archduke) ISAAC STERN (violin) LEONARD ROSE (cello)
EUGENE ISTOMIN (piano)

Introduced and directed by DAVID WULSTAN (organ) from the Ante Chapel, Magdalen College, Oxford
Shepherd Magnificat primi toni anon Middle Eastern Songs (c 1300 BC): Zaluzi; Song of the Red Sea anon Medieval Songs: Thomas gemma Cantuariae; D'amor m'estera; Bryd on'e brere Shepherd Festal Kyrie Tomkins Know you not
St Godric Sainte Marie Virgine anon Plainchant: Magnificat octavi toni
Van Wylder Blessed art thou Gibbons Blessed are all they

A record request programme
Bartok Rhapsody for piano and orchestra, Op 1 GEZA ANDA
BERLIN RADIO SYMPHONY ORCHESTRA conducted by FERENC FRICSAY
10.20* Dvorak Symphony No 9, in E minor (From the New World)
BERLIN RADIO SYMPHONY ORCHESTRA conducted by LORIN MAAZEL

The Legacy of Webern, by HUMPHREY SEARLE
Musical Profile: The London Mozart Players, by ROBERT ANOERSON
Bela Bartok (1881-1945): JOSEPH SZIGETI talks tO JULIAN
HERBAGE
Summer Supplement: contributed by EDWARD GREENFIELD Edited by ANNA INSTONE and JULIAN HERBAGE
Introduced by JULIAN BEREAGE

Beethoven Trio in B flat major, Op 11
GERVASE DE PEYER (clarinet) WILLIAM PLEETH (Cello)
PETER WALLFISCH (piano)
12.23' Dvorak Quintet in G major, Op 77 0 AEOLIAN STRING QUARTET with JOHN GRAY (double-bass) (Beethoven broadcast on 2 January 1969; Dvorak on 25 February 1969)

HEINZ MEDJIMOREC (piano) MASUKO USHIODA (violin) LONDON MOZART PLAYERS leader ROBERT MASTERS conductor HARRY BLECH Part 1
Mendelssohn Overture: Fingal's Cave
Mozart Piano Concerto No 18, in B flat major (K 456)

ANTHONY FRIESE-GREENE talks tO HARRY BLECH and ROBERT MASTERS , conductor and leader of the London Mozart Players

Part 2
Mozart Violin Concerto No 3, in G major (K 216)
Schubert Symphony No 3, in D major
(From the Royal Festival Hall, London)

Records of excerpts from Hindemith's opera, with DIETRICH FISCHER-DIESKAU
PILAR LORENGAR , DONALD GROBE
BERLIN RADIO SYMPHONY ORCHESTRA conducted by LEOPOLD LUDWIG Introduced by Noel Goodwin

6:
Horowitz Chopin Polonaise in F sharp minor
4.11* Barber Sonata
4.30* Scriabin Two Studies: in c sharp minor, Op 2 No 1: in D sharp minor, Op 8 No 12
4.36* Mussorgsky Pictures from an Exhibition
5.7* Liszt Au bord d'une source (Years of Pilgrimage)
5.11* Horowitz Variations on a theme from Carmen gramophone records

Oratorio: Alexander's Feast HONOR SHEPPARD (soprano) MAX WORTHLEY (tenor) MAURICE BEVAN (bass) ORIANA CONCERT CHOIR
AND ORCHESTRA conducted by ALFRED DELLER gramophone records

Nocturnal, Op 70
JULIAN BREAM (guitar)
7.19* arr Bream Courtly Dances (Gloriana)
JULIAN BREAM CONSORT Julian Bream (lute) Olive Zorian (violin)
David Sandeman (flute, alto flute, and piccolo) Joy Hall (bass viol)
Desmond Dupre " (bass viol) Robert Spencer (tabor) gramophone records

by William Shakespeare
(first published 1600)
with songs and incidental music by Anthony Bernard
The music by the late Anthony Bernard was written for productions of the play at Stratford-upon-Avon in the 1930s and re-orchestrated by the composer in 1943 for the Theatre Royal, Santiago, who had asked the British Council to recommend an English score to replace the over-familiar Mendelssohn music.
A fragment of an Elizabethan melody, 'Heartsease,' is used with variations in the music for Oberon and Titania, and the music for the clowns is an old English folk tune.
Scenes:
In the Palace of Theseus
In the Cottage of Peter Quince
In a Wood, a league from Athens

(The play will be given in two parts with an interval of eight minutes at 8.30* pm)

Listeners' comments after the first broadcast in June:
"A production which captured the spirit of the play and served to cast new light on an old favourite."
"Every part beautifully played with refreshing interpretations of characters."
"The stereo effects and unfamiliar music made the fairy-haunted woodland very real indeed, and the fairies quite other-worldly."

Keyboard music played on a gramophone record by THURSTON DART (harpsichord)

An investigation in eight programmes into the developing relationship between art and its publics.
1: A Firm ' Yes ' by ANTHONY QUINTON , Fellow Of New College, Oxford
Art, which used to be exclusive, is becoming open, or is being replaced by new kinds of expression: this is the proposition to be examined in the series. Anthony Quinton opens with the conservative case.

played by CHRISTOPHER BUNTING (Cello) ERNEST LUSH (piano)
Beethoven Sonata in F major, Op 5 No 1
10.47' Debussy Sonata in D minor

Servite Priory, London
A record of music by Gaspard Corrette and Dandrieu played by ALAN HARVERSON
Introduced by JOHN LADE