A weekly review of the arts
This week
Greene-Brown-Osborne
ERIC RHODE on Graham Greene 's fourth play for the theatre, Carving a Statue
KENNETH H. BROWN , author of The Brig, in conversation with ALAN BRIEN
LAURENCE KITCHIN on Inadmissible Evidence by John Osborne

Hindemith's song cycle to poems by Rilke
The revised version (1948)
ELIZABETH SIMON (soprano)
ERNEST LUSH (piano)
Part 1
Geburt Maria
Die Darstellung Maria im
Tempel
Maria Verkiindigung Maria Heimsuchung Argwohn Josephs
Verkiindigung iiber den Hirten Geburt Christi
Rast auf der Flucht in Agypten Von der Hochzeit zu Kana

by MARTIN COOPER
Fenelon's reputation has changed lately; his readers think of him no more as a dove, but as a serpent.
Martin Cooper , who analyses Fenelon's letters, believes that he appeals to an increasing number of modern readers by his acute intellectual and psychological awareness, his avoidance of pious jargon, and his realism.

Part 2
Vor der Passion Pieta Stillung Maria mit dem Auferstandenen
Vom Tode Maria I Vom Tode Maria II Vom Tode Maria III

by John Clare
September
A reading by HUGH DICKSON and BASIL JONES
Clare's poem The Last of Summer is also read in the programme
Introduced by GEOFFREY SUMMERFIELD

Cello Concerto in A major played by PIERRE FOURNIER (cello) and the LUCERNE FESTIVAL STRINGS
Directed by RUDOLF BAUMGARTNER on a gramophone record

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