3: A conversation between
PROFESSOR ASA BRIGGS Dean of the School of Social Studies,
University of Sussex and Dr. NORMAN HUNT Lecturer in Politics in the University of Oxford
They discuss the effects of forty years of broadcasting on society in Britain, of which some have been considered by Professor Briggs in two previous talks.

Differences, for flute, clarinet, viola, cello, harp, and tape conducted by the composer
Circles (1960), for soprano, harp, and two percussion players (text by e. e. cummings)
CATHY BERBERIAN (mezzo-soprano)
JACQUES CASTAGNER (flute)
GUY DEPLUS (clarinet)
SERGE COLLOT (viola)
JEAN HUCHOT (cello)
FRANCIS PIERRE lharp)
JEAN PIERRE DROUET and JEAN-CLAUDE CASADESSUS (percussion) Second broadcast

An autobiographical fragment written for radio and narrated by Patric Dickinson
Other voices include:
Derek Birch , William Devlin Denis Goacher Carleton Hobbs
Pauline Letts , David March Mary O'Farrell Norman Shelley and Geoffrey Wincott Produced by JOE BURROUGHS

5: Solsona Cathedral, Spain GERAINT JONES (organ) POLYPHONIA of LISBON Conductor,
MARIO DE SAMPAYO RIBEIRO
Including music by Cabanilles , Tomas de Santa Maria , and Bach Introduced by Geraint Jones
Fifth of six programmes

looks at the Seventeenth by R. W. K. HINTON Fellow of Peterhouse, Cambridge Dr. Hinton thinks that we are much nearer to the seventeenth century than our fathers were, and that we have more natural sympathy with the purpose and problems of the seventeenth-century revolution. Second broadcast