GERALD ABRAHAM introduces tomorrow night's performance of Bogatirev's reconstruction of the symphony on which Tchaikovsky was working before the Pathétique

PETER PEARS (tenor)
JULIAN BREAM (lute)
BENJAMIN BRITTEN (piano) Me. me, and none but me
Autlosung
In darkness let me dwell
Gesang des Harfners I
Fine knacks for ladies
Der Musensohn
Sorrow, stay
Erster Verlust
Hark, hark the lark
(Horch, horch die Lerch)
Come away, come, sweet love
Mein!
Away with these self-loving lads
Come, heavy sleep
Nacht und Traiime
Introduced by PETER PEARS Second broadcast

by V. L. ALLEN
Lecturer in Industrial Economics, University of Leeds
Militancy is rare among white-collar workers-or so it is said. Then why the recent outbreak? Is this a major revolt? Are these workers moving leftwards politically? Dr. Allen, who forecast this outbreak of militancy several years ago, examines these questions. Second broadcast

by John Dryden with Leo McKern and Valerie Hanson
Scene:
Alexandria Cast in order of speaking:
Anthony's daughters and Gentlemen played by members of the BBC
Drama Repertory Company
Music by ANTHONY BERNARD based on Purcell's Elegy on the death of Matthew Locke played by the London Chamber Orchestra Leader, Lionel Bentley
Produced by R. D. SMITH tThird broadcast
All for Love was first played by the King's Company at Drury Lane in the winter of 1677-78. Dryden had previously advocated rhyme as the proper medium for tragedy, but in All for Love he felt a need for greater freedom of expression: ' In my stile I have profess'd to imitate the divine Shakespere; which that I might perform more freely, I have disencumber'd myself from rhyme. Not that I condemn my former way, but that is more proper to my present purpose.'
DURING THE INTERVAL
7.25*-7.35 Buxtehude
A gramophone record of music arranged and played by Henrik Boye (harp)

on Record
DINU LIPATTI playing
Chopin
Piano Sonata No. 3, in B minor
Recorded in 1947

Last of three talks by PROFESSOR RANDOLPH QUIRK
First is to be heard a passage from Gud Nius Mark i Raitim, the Gospel according to St. Mark in the Neo-Melanesian language. This rich, consistent, systematised form of ' pidgin English,' spoken in New Guinea, is virtually a foreign language-differing as much from the English we speak as modern Portuguese, say, differs from the Latin of Cicero.

given on Thursday, November 16, 1961
ALLEGRI STRING Quartet * Eli Goren (violin)
James Barton (violin) Patrick Ireland (viola) William Pleeth (cello)