Conductor, Charles Groves
John Shineboume (cello)

6—'Making a Programme '
Speakers in this series have so far concerned themselves with the various processes that make a radio programme possible. In tonight's talk Ian Cox summarises the way in which these resources are brought together, and asks Francis Worsley, producer of ' Itma,' to explain some of the ways in which a producer may use sound to create special effects
These effects-and Indeed, complete programmes-may be recorded : and methods of recording are described by M. J. L. Pulling , Superintendent Engineer in charge of recordings in the BBC

Gladys Ripley (contralto)
Heddle Nash (tenor)
Norman Walker (bass)
Huddersfield Choral Society
(Chorus-Master, Herbert Bardgett )
Liverpool Philharmonic Orchestra
(Leader, David Wise )
Conductor, Malcolm Sargent
Part 1

3-Palmerston by Kingsley Martin

continued
Part 1
Part 2
From the Town Hall, Huddersfield

It was an odd friendship that flourished between Samuel Butler and Eliza Mary Ann Savage, and tonight
Brian Hill talks about it and about the witty, critical. and often acid letters that passed between the two

Partita in G minor on the Chorale
Sei gegriisset Jesu gutig
Fughetta on In Dich hab' ich gehoffet,
Herr Fugue on the Magniflcat played by Fernando Germani (organ)
From Westminster Cathedral

by Mlcheal MacLiammóir