and Weather Forecast

Overture: (;wendoline (Chabrier) FRENCH NATIONAL RADIO Orchestra Conducted by SIR THOMAS BEECHAM
7.14* Concert Fantasy in G major
(Tchaikovsky)
PETER KATIN (piano)
LONDON PHILHARMONIC ORCHESTRA Conducted by SIR ADRIAN BOULT
7.43* Brigg Fair (Delias)
ROYAL PHILHARMONIC ORCHESTRA
Conducted by SIR THOMAS BEECHAM gramophone records

and Weather Forecast

Led by Meyer Stolow
Conductor. HARRY BLECH

and Weather Forecast

Britten and Purcell
Anthem: Who hath believed our report (Purcell)
9.11* Festival Cantata: Rejoice in the Lamb (Britten)
9.31* Anthem: 0 sing unto the Lord a new song (PurceU)
ROGER PARKER
CHARLES BRETT , MICHAEL PEARCE WILFRED Brown , ROBERT TEAR CHRISTOPHER KEYTE FORBES ROBINSON
Brian RUNNETT (organ) CHOIR OF
ST. JOHN'S COLLEGE, CAMBRIDGE ACADEMY of St. MARTIN-IN-THE-FIELDS
Conducted by GEORGE GUEST gramophone records

Records highlighting musical anniversaries occurring this week

by MICHELE BOEGNER

One of eight programmes containing - items from previous broadcasts in this series
ELIZABETH HARWOOD (soprano) JACK BRYMER (clarinet) PAUL HAMBURGER (piano)
ERICH GRUENBERG (violin) ERIC HARRISON (piano)
Second broadcast
Ncrt programme: Thursday

LONDON SYMPHONY Orchestra Leader, Erich Gruenberg
Conducted by LEOPOLD STOKOWSKI
Part 1

and Weather Forecast

NEVILLE GARDEN looks at some non-broadcast musical events taking place in the North during the next seven days

Part 2: Shostakovich
Symphony No. 5, in D minor f Second broadcast

St. Albans
Introduced by JOHN BETJEMAN
CHOIR of ST. ALBANS CATHEDRAL
Organist and Master of the Choristers PETER HURFORD
JOHN FREEMAN (assistant organist)
Second of eleven programmes
Second broadcast
Wednesday: Chichester Cathedral

First in a series of nine programmes of waltzes nocturnes, and mazurkas
Nocturne in F sharp minor
ARTUR RUBINSTEIN (piano)
2.45* Mazurkas:
C sharp minor. Op. 6 No. 2 C sharp minor. Op. 63 No. 3 A minor. Op. 67 No, 4
HALINA CZERNY-STEFANSKA (piano)
2.53* Nocturne in G major
ARTUR RUBINSTEIN (piano) gramophone records

The eleventh of thirteen programmes of twentieth-century ballet music. including all Stravinsky's ballets presented in chronological order and conducted by the composer
Appalachian Spring (Copland)
BOSTON SYMPHONY Orchestra Conducted by THE COMPOSER
3.27' Orpheus (Stravinsky)
CHICAGO SYMPHONY ORCHESTRA Conducted by THE COMPOSER gramophone records

A series of concerts given before invited audiences
This week: from
Hopetoun House,
South Queensferry
DUNCAN ROBERTSON (tenor) MILES COVERDALE (piano)
THE JAYE CONSORT
Francis Baines (treble viol)
Elizabeth Baines (treble viol) Peter Vel (tenor viol)
John Isaacs (tenor viol) Jennifer Ryan (bass viol) also playing medieval instruments with IAN HARWOOD (lute)
Part 1
Viols:

ANTONY HOPKINS
Sunday's broadcast

Part 2
Viols:

BAND OF the GRENADIER GUARDS
Conducted by CAPTAIN RODNEY B. BASHFORD Director of Music
Fanfare: Hot Potatoes. Ethel Smyth

80-100 w.p.m.
Some of the material is taken from Shorthand Dictation Practice: Book 2
110-140 w.p.m.: Saturday at 10.30 a.m. (Home)

A series of twenty programmes intended for listeners who already have some knowledge of French
An imaginary roving reporter, Gilles Leroy , records his impressions of the different places he visits each week
1: Paris-La Maison de L'O.R.T.F et la Loterie Nationale
Introduced by KATIA Ellis with the help of Eniile Harven
Written and produced by Elsie Ferguson
Language consultant, Paul Couster
A booklet is available
Broadcast on February 28

A series of eight programmes
Introduced by Dr. F. Hilliard

The teaching of English is central to the whole business of Secondary Education. In probably no other subject have teachers been so eager to experiment. and so self-critical of their aims and methods. Yet good teachers of English are so individualistic in their teaching that it is very hard to distinguish what they have in common.

Fred Flower, author of the recent book Language and Education, introduces a number of English teachers using a wide range of different teaching methods, and finds evidence of similar basic principles and attitudes in their work.

The Subculture of Secession by Kenneth Rexroth
Kenneth Rexroth considers the question of irresponsible dissent. He considers a new generation which refuses involvement and responsibility of any kind. Theirs. he argues, is a subculture of secession from the world as it is.

Part 1: The Fall of Troy
Opera in three acts by Berlioz
English translation by EDWARD J. DENT in a concert performance from The Royal Festival Hall, London Cast in order of singing:
L.S.O. CHORUS
Chorus-Master. John Alldis
CHELSEA OPERA GROUP CHORUS LONDON SYMPHONY ORCHESTRA Leader. John Georgiadis
Conducted by COLIN Davis
ACT 1 rhe field abandoned by the Greeks
ACT 2: In front of the citadel
Presented by the L.S.O., Ltd... In association with the London Orchestral Concert Board, and the Peter Stuyvesant Foundation

A series of four talks in which economists examine the quality of our statistics as the basis of far-reaching decisions about the economy
3: The Best-Laid Plans?by MARJORIE DEANE
Miss Deane. who is deputy Bust-ness Editor of The Economist, considers the respectability of the statistical material on which British economic forecasting-and therefore the National Plan-is based. Do the figures themselves accurately reflect the movements and potentialities of the economy? And are the interpretations put on these figures justified?
Last talk: Bookkeepma m Babel by Wilfred Beckerman , Dec. 19

Part 1: The Fall of Troy
ACT 3
Scene 1 Aeneas's tent
Scene 2 The temple of Vesta
Scene 3 The sack of Troy
Part 2: The Trojans at Carthage: Friday at 7.30 p.m.

Sound poems by Ernst Jandl orchestrated and spoken by the author himself in a production with the BBC Radiophonic Workshop
Ernst Jandl is one of the leaders of the international sound and concrete poetry movement. His success at the Royal Albert Hall on June 11, 1965, when his reading was enthusiastically received by an audience of six thousand. demonstrated his work's power on a large scale. Tonight its intellectual subtlety and musical ingenuity as well as its vigour and humour are emphasised by the use of radiophonic techniques, including speeding up and slowing down of tapes, multiple recording, echo and feedback.
Introduced by GEORGE MACBETH

A record of a group of Preludes from Book 1 of the ' 48 played by HELMUT WALCHA (harpsichord)