Programme Index

Discover 11,128,835 listings and 278,060 playable programmes from the BBC

Overture: Pigmation (Ramenu)
LAMOUREUX CHAMBER ORCHESTRA Conducted by MARCELCOURAUD
Suite: Masques et bergamasques
(Fauri)
SUISSE ROMANDE ORCHESTRA
Conducted by ERNEST ANSERMET
7.21* Suite : Le bourgeois gentilhomme (Strauss)
LAUSANNE CHAMBER ORCHESTRA
Conducted by VICTOR DESARZENS on gramophone records

Contributors

Conducted By:
Ernest Ansermet
Conducted By:
Victor Desarzens

Overture: Armida (Haudn)
8.9- Symphony No. 49, in F minor
(La passione) (Haydn)
LITTLE ORCHESTRA OF LONDON Conducted by LESLIE JONES
8.30* Piano Concerto No. Z, in B flat major (Beethoven)
JULIUS KATCHEN LONDON SYMPHONY Orchestra
Conducted by PIERINO GAMBA on gramophone records

Contributors

Conducted By:
Leslie Jones
Conducted By:
Pierino Gamba

Schumann
Overture: Manfred
BERLIN PHILHARMONIC ORCHESTRA Conducted by RAFAEL KUBELIK
9.16* Cello Concerto In A minor
MSTISLAV ROSTHOPOVICH
LENINGRAD PHILHARMONIC ORCHESTRA Conducted by GENNADI ROZHDESTVENSKY on gramophone records stereophonic broadcast: see p. 12

Contributors

Conducted By:
Rafael Kubelik
Conducted By:
Gennadi Rozhdestvensky

Shostakovich chamber music series continued
MICHAEL BLOCK (piano)
AEOLIAN STRING QUARTET
Sydney Humphreys (violin) Raymond Keenlyside (violin) Margaret Major (viola) Derek Simpson (cello)
JOHN MITCHINSON (tenort IFOR JAMES (horn)
ERNEST Lush (piano)
Second broadcast of the Britten

Contributors

Piano:
Michael Block
Violin:
Sydney Humphreys
Violin:
Raymond Keenlyside
Viola:
Margaret Major
Cello:
Derek Simpson
Tenort:
John Mitchinson
Horn:
Ifor James
Piano:
Ernest Lush

INGEBORG FELDERER (soprano)
ELIZABETH VAUGHAN (soprano) SYBIL MICHELOW (contralto) WILLIAM MCALPINE (tenor) DON GARRARD (bass)
ALFONS and ALOYS KONTARSKY (pianos)
CHRISTOPH CASKEL (percussion)
BRC Chorus, BBC CHORAL SOCIETY ROYAL CHORAL SOCIETY
BBC SYMPHONY ORCHESTRA Led by Norman Nelson
Conducted by SIR MALCOLM SARGENT and NORMAN DEL MAR
Part 1

Contributors

Soprano:
Elizabeth Vaughan
Contralto:
Sybil Michelow
Tenor:
William McAlpine
Bass:
Don Garrard
Bass:
Aloys Kontarsky
Pianos:
Christoph Caskel
Unknown:
Norman Nelson
Conducted By:
Sir Malcolm Sargent

A series of programmes including all Stravinsky's ballets conducted by the cumposer.
Le pas d'acier (Prokofiev) PHILHARMONIA ORCHESTRA
Conducted by IGOR MARKEVITCH
3.23* Petrushka (Stravinsky)
COLUMBIA SYMPHONY ORCHESTRA Conducted by THE COMPOSER on uraniophone records stereophonic broadctist: see p. 12

Contributors

Conducted By:
Igor Markevitch

First in a series of concerts given before invited audiences throughout the country

Next week: from Armagh, Northern Ireland: Quartets by Haudn and Charles Wood (Otin String Quartet) and songs by Lasms, Gerard Victory, and Poulenc
(Radio Telefis Eireann Singers)
See page 39

Contributors

Unknown:
Charles Wood

This listing contains language that some may find offensive.

A course of ten lessons in spoken Mandarin for complete beginners
Programme 2
Introduced by Lucia Liu with the help of TERRY CHANG
Language consultant: Mrs. Y. C. Liu
Script by David Pollard
Produced by Elsie Ferguson
Repeated: Sat., 10.45 a.m. (Home)
A booklet and pronunciation record arc available

Contributors

Introduced By:
Lucia Liu
Unknown:
Terry Chang
Unknown:
Mrs. Y. C. Liu
Script By:
David Pollard
Produced By:
Elsie Ferguson

by Samuel Beckett with Billie Whitelaw
Pauline Jameson and Robert Stephens
' Silence and darkness were all I craved. Well, I get a certain amount of both. They beinv; one. Perhaps it is more wickedness to pray for more.'
Technical direction by BRIAN HODGSON of the BBC Radiophonic Workshop
† Produced by BENNETT MAXWELL
Pauline Jameson is a member of the Royal Shakespeare Company: Robert Stephens is a National Theatre player
To be repeated on October 30

Contributors

Unknown:
Samuel Beckett
Unknown:
Billie Whitelaw
Unknown:
Pauline Jameson
Unknown:
Robert Stephens
Unknown:
Brian Hodgson
Produced By:
Bennett Maxwell
Produced By:
Pauline Jameson
Unknown:
Robert Stephens

VESUVIUS ENSEMBLE
Jane Manning (soprano) William Bennett (flute) Neil Black (oboe)
Thea King (clarinet) Deirdre Dundas-Grant ( bassoon)
Kenneth Sillito (violin) Brian Hawkins (viola) Charles Tunnell (cello) John Gray (double-bass) Susan Bradshaw (piano)
ALVAR LIDELL (speaker)
Part 1
Given before an invited audience In the Chemistry Lecture Theatre, University of Sussex, Brighton.
Applications for tickets should be sent to [address removed], enclosing a stamped addressed envelope

Contributors

Soprano:
Jane Manning
Flute:
William Bennett
Oboe:
Neil Black
Bassoon:
Deirdre Dundas-Grant
Violin:
Kenneth Sillito
Viola:
Brian Hawkins
Cello:
Charles Tunnell
Double-Bass:
John Gray
Piano:
Susan Bradshaw

A talk by Eric ROBINSON
Senior Lecturer in Economic History in the University of Manchester about the Lunar Society and its importance in the early development of the Industrial Revolution
The Lunar Society, which first met in 1764, included among its membership scientists, progressive manufacturers and inventors such as Joseph Priestley. Erasmus Darwin , Matthew Boulton. and James Watt. Although the members were primarily interested in science and in commercial organisation, many other matters. including politics, were certainly discussed.
An exhibition representing the many activities of the Lunar Societu wiU be open at the Birmingham Museum and Art Gallery from October 13 to November 27

Contributors

Talk By:
Eric Robinson
Unknown:
Joseph Priestley.
Unknown:
Erasmus Darwin
Unknown:
Matthew Boulton.
Unknown:
James Watt.

Part 2: Schoenberg and Webern
Webern
Four Pieces, Op. 7, for violin and piano
Five Songs, Op. 4 (Stefan George )
EinnanK
Noch zwingt mich Treue Ja Heil und Dank dir So ich traurig bin
Ihr tratet zu dem Herde
Three little pieces, Op 11, for cello and piano
19.5* Schoenberg
Chamber Symphony No. 1, In
E major, Op. 9 arranged for flute, clarinet, violin, cello, and piano, by Webern

Contributors

Unknown:
Stefan George

Two talks on English poetry by GEORGE RYLANDS
1: Twopence Coloured
' Which of two kinds of poetic diction do you favour, not from education or sense of duty but by temperament-Penny Plain or Twopence Coloured? Does the English Muse most captivate you when like Milton's Dalilah " bedeckt, ornate, and gay, with all her bravery on and streamers waving
. ." or should we. like King
Lear. learn the lesson of poor Tom: that the bare, forked animal is the thing itself, and cast away furs and rich Kowns? '
In his first talk Mr. Rylands distinguishes certain characteristics and preferences in ornate verse.
Produced by John Tydeman
Penny Plain: October 20

Contributors

Unknown:
George Rylands
Produced By:
John Tydeman

Network Three

Appears in

About this data

This data is drawn from the Radio Times magazine between 1923 and 2009. It shows what was scheduled to be broadcast, meaning it was subject to change and may not be accurate. More