and Weather Forecast
Suite: The gods go a-begging
(Handel. arr. Beecham)
ROYAL PHILHARMONIC Orchestra
Conducted by SIR Thomas BEECHAM
7.23* Concerto In G major, for two flutes and orchestra
(Cimarosai
JEAN PIERRE RAMPAL and ROBERT HERICHE
LAMOUREUX CHAMBER ORCHESTRA Conducted by PIERRE COLOMBO
7.40* Ballet: Le Cid (Massenet) ISRAEL PHILHARMONIC ORCHESTRA Conducted by Jean MARTINON on gramophone records
and Weather Forecast*
Overture-fantasia: Romeo fend
Juliet (Tchaikovsky)
PHILHARMONIA ORCHESTRA Conducted by CARLO MARIA GIULINI
8.23* Fantasy on Russian themes for violin and orchestra
(Rimsy-Korsakov)
NATHAN MILSTEIN
ORCHESTRA conducted by ROBERT IRVING
8.32* Fantaisie for plans and orchestra (Faure)
GRANT JOHANNESEN
LONDON SYMPHONY ORCHESTRA
Conducted by SIR EUGENE GOOSSENS
8.46* Symphonic Fantasia: Pohjola's Daughter (Sibelius)
NEW YORK PHILHARMONIC ORCHESTRA Conducted by Leonard BERNSTEIN on gramophone records
and Weather Forecast
Handel ELIZABETH VAUGHAN (soprano)
ALEXANDER YOUNG (tenor) FORBES ROBINSON (bass)
CHOIR OF KING'S COLLEGE, CAMBRIDGE Directed by David WILLCOCKS
Coronation anthem: Let thy hand be strengthened with the ENGLfSH CHAMBER ORCHESTRA
9.14* Chandos anthem: 0 praise the Lord with the ACADEMY OF
St. MARTIN-IN-THE-FIELDS on gramophone records
Gramophone records highlighting musical anniversaries occurring this week
by ALBERT FKRBER
Schumann Chamber Music series
GERVASE DE PEYER (clarinot) CECIL ARONOWITZ (viola) PHILIP LEDGER (piano)
Robin WOOD (piano)
YVONNE LEFEBURE (piano)
SUSAN LANDALE (organ)
John ALLDIS CHOIR
Conductor. John Alldls
ROYAL PHILHARMONIC ORCHESTRA Led by Jiirgen Hess
Conducted by NORMAN DEL MAR
Part 1
and Weather Forecast
NEVILLE GARDEN looks at some non-broadcast musical events taking place in the North during the next seven days
Part 2
The Promenade Concert broadcast on September 2. 1965. from the Royal Albert Hall. London followed by an Interlude
Overture: Halka (Moniuszko)
BERLIN RADIO SYMPHONY ORCHESTRA
Conducted by MlECZYSLAUS MlERZEJEVSKI
2.8* Violin Concerto No. 2. in minor (Wieniawski)
JULIAN OLEVSKY VIENNA STATE OPERA ORCHESTRA
Conducted by JULIUS RUDEL
2.34* Suite: The Jewels of the Madonna (Wolf-Ferrari)
PARIS CONSERVATOIRE ORCHESTRA
Conducted by NELLO SANTI
2.51* Kolo (Era from the Other
World) (Gotovac)
VIENNA PHILHARMONIC ORCHESTRA
Conducted by RUDOLF KEMPE on gramophone records
Fourth of nine programmes in which composers are heard in recorded performances of their own music
Richard Rodney Bennett
A Week of Birthdays for piano solo
3.8* Dohnanyi
Variations on a Hungarian theme.
Op 29 for piano solo
3.18* Prokofiev
Piano Concerto No 3, C major
With the LONDON SYMPHONY ORCHESTRA Conducted by PIERO COPPOLA on gramophone records
3.4:1- Faure
Romance sans paroles in A flat major. Op. 17, No.
A piano roll record in the BBC Sound Archives
3.4T Ravel
Valses nobles et sentimentales a piano roll record
Music for children
Richard Rodney Bennett
The Aviary:
The bird's lament; The owl The early nightingale
The widow bird; The lark
4.10* Bartok
Ballade; Mourning Song
Rhapsody; Allegro moderate Swineherd's Dane* (For Children)
4.21' Tchaikovsky
Three children's songs, Op. M Winter; A legend; Spring
4.27* Prokofiev
Cortege; Historiette; Vales; March (Music for children) BARBARA BUDMANI (soprano) James LOCKHART (piano)
John BIGG (piano)
James Lockhart broadcasts by permission of the Gen. Administrator, Royal Opera House Covent Gareni
ANTONY HOPKINS discusses a work or theme of current interest
Sunday's broadcast
NIKITA MAGALOFF (piano)
SUISSE ROMANDE ORCHESTRA
Recording made available by courtesy of Swiss Radio
Scottish C.W.S. BAND
Conducted by ROBERT OUGHTON
Soviet Affairs
2: Industry
(0 Enterprise by P. H. VIGOR
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Ha paSoly
Lesson 11
Written by VAUGHAN JAMES University of Sussex given by VAUGHAN JAMES
MARINA RYAN and VICTOR GREGORIY
Language consultant, Lyubov Volossevich
Produced by Richard Hooper
Rptd. Saturday. 10.45 a.m. (Home)
A booklet Is available
Eight programmes on the background of the Roman world
1: Rome and the Imperial Ideal by C. E. STEVENS. Fellow of Magdalen College, Oxford With readings by GARY WATSON
Produced by Adrian Johnson
A reading list can be obtained by sending a stamped addressed foolscap envelope to ' The Roman' Further Education Department (Sound)[address removed]
tA discussion
Max Beloff
Gladstone Professor of Government and Public Administration. Oxford University challenges
Andrew Shonfleld
Director of Studies. Royal Institute of International Affairs about some of the Ideas in the concluding chapter of his recent book
Modern Capitalism— the Changing Balance of Public and Private Power
reads
Prothalamium
Sonnets from the Amorettt and Muiopotmos or The Fate of the Butterflic (in an abridged version) by Edmund Spenser
John Ogdon (piano)
Part I
Given before an Invited audience In the Concert Hall, Broadcasting House, London. Applications for tickets should be sent to Ticket Unit,BroadcastingHouse.London. W.I. enclosing a itamped addressed envelope.
and the Sound of Music by PETER MURRAY
Dr. Murray. Lecturer In the History of Art at the Courtauld Institute. has studied the architecture of two of the most famous Churches In Venice. Palladlos San Giorgio Magglore and II Redentor*
Palladio's unusual designs for both churches, he argues, are influenced by the particular situation in his day In the development of Venetian church music.
One of several talks devised to accompanythecurrentseriesof programmes of Music in Venice
Next talk: May 23
Part 2: Busont
Nine variations on a Chopin prelude
Turandots Frauengemach; Die
Nachtlichen; Erschelnung; Berceuse élégiaque (Elegies)
Fantasia contrappuntlstica
(definitive version)
Next Invitation Concert: May 31. Luciano Berio and Cathy Berberian : Berio and Debussy
A suggestion for a new language game by Michael Redmond Mullin
We are familiar with a sound of beatles crying 'Help,' but long before their song Ludwig Wittgenstein had described philosophy's aim as showing the fly the way out of the fly bottle. Michael Redmond Mullin reflects on the relation between the philosopher and Richard Lester's presentation of the pop idols; a relation which he locates neither on the plane of solemnity, nor on that of frivolity, but in the universe of play.
(Second broadcast)
followed by an interlude at 10.50