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Ballet Suite: The Good-humoured
Ladies (Scarlatti— Tommasini)
PHILHARMONIA ORCHESTRA
Conducted by IGOR MARKEVITCH
7.19* Concerto Grosso in F major.
Op. 6 No. 2 (Corelli)
YEHUDI MENUHIN and ROBERT MASTERS (violins) DEREK SIMPSON (cello)
BATH FESTIVAL ORCHESTRA
Directed by YEHUDI MENUHIN
7.31* Flute Quartet in A minor
(Carl Philipp Emanuel Bach )
HANS-MARTIN LINDE (flute) EMIL SEILER (viola)
KLAUS STORCK (cello)
RUDOLF ZARTNER (piano)
7.46- Concerto armonico No. 1, In
G major (attrib. Pergolesi)
STUTTGART CHAMBER ORCHESTRA
Conducted by KARL MÜNCHINGER on gramophone records

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Leader, Robert Masters
CHRISTOPHER HYDE. SMITH (flute)
Conductor, HARRY BLECH

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Handel: Records of some of his orchestral music, including two suites from the Water Music

Introduction and Allegro for string quartet and string orchestra (Elgar)
Sinfonia of London
Conducted by Sir John Barbirolli

9.59* Serenade for tenor, horn, and string orchestra (Britten)
Peter Pears and Barry Tuckwell
London Symphony Orchestra
Conducted by The Composer

10.23* Fantasia on a theme by Thomas Tallis, for double-string orchestra (Vaughan Williams)
Sinfonia of London
Conducted by Sir John Barbirolli
on gramophone records

This programme is being broadcast experimentally on the Zenith-G.E. pilot tone stereophonic system from the VHF transmitters at Wrotham and Dover, Kent. To hear the programme in stereophony a special receiver, or an adapter for use with an existing receiver, is necessary. Listeners with normal VHF receivers will hear the programme monophonically as usual.

In his last programme George Thalben-Ball plays
The first two works were recorded in the Town Hall, Birmingham: the last in the Temple Church, London, by permission of the Treasurers and Masters of the Bench of the Honourable Societies of the Inner and Middle Temple

NEILSON TAYLOR (baritone) DENIS Wood (cor anglais) PAUL HAMBURGER (piano)
DEREK SIMPSON (cello)
FIONA CAMERON (piano)

JOAN DICKSON (cello)
BBC Scottish ORCHESTRA Leader, Trevor Williams
Conductor, JAMES LOUGHRAN Part 1

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Stephen Dodgson looks at some non-broadcast musical events taking place in Scotland, Wales, and the West during the next seven days

Part 2
Given before an invited audience in Studio One. Glasgow. Tickets may be obtained on application to [address removed]. enclosing a stamped addressed envelope.

Hesperini for piano, two guitars, harp, and double-bass on a gramophone record

Leader, David Adams
Conductor, TERENCE LOVETT

(piano)
Debussy
Pour le piano
3.12* Estampes
3.24* Reflets dans l'eau (Images,
Book 1) on a gramophone record

An opera by Mussorgsky after PUSHKIN
Revised and orchestrated by RimsKY-KORSAKOV
Sung in Russian
Cast in order of singing: Continued in next column
Townsfolk, boyars, soldiers, Polish nobility, monks, etc.
CHORUS OF THE VIENNA STATE OPERA
CHORUS OF THE
CROAT NATIONAL OPERA, ZAGREB
CHAMBER CHORUS OF THE SALZBURG FESTIVAL
Chorus-Master,
Walter Hagen-Groll VIENNA PHILHARMONIC ORCHESTRA
Conducted by HERBERT VON KARAJAN
The action takes place between 1598 and 1605 Scene 1
The courtyard of a monastery near
Moscow scene 2
A cell fn the Chudov monastery
Scene 3
The Square In front of the Uspensky Cathedral in Moscow
Scene 4
An inn near the Lithuanian border
Scene 5
A room In the Imperial Palace
Scene 6
Marina's boudoir
Scene 7
The castle gardens at Sandomlr
Scene 8
A clearing in the forest near Kromy
Scene 9
The great hall in the Kremlin
Recording from the Salzburg Festival. made available by courtesy of the Austrian Radio, and broadcast In the series ' Radio in Europe '

by JOHN BIRCH
From Chichester Cathedral

A series of six short talks
Ϯ by GILBERT PHELPS
1: The verb ' to love

Lesson 8
Introduced by JACINTA CASTILLEJO with the help of PABLO SOTO
Script by Maria Victoria Alvarez and Anthony Watson
Produced by George Walton Scott
A booklet is available

Eight programmes on the American point of view about various aspects of domestic and foreign policy
Introduced by PROFESSOR H. C. ALLEN
Commonwealth Fund Professor of American History at University College, London
8: America and the Outside World
The United States' dilemma in Latin America is very much the same as her dilemma in South-East Asia: whilst democratic governments do not exist, she believes that she can only prevent the spread of communism by military action. Although this has encouraged a certain inflexibility in American attitudes to the outside world, there is now a greater willingness than at any time since 1945 to criticise the Administration's foreign policy.
Produced by Howard Smith

Art: Innovation and Commitment
In the first of two programmes
ANDREW FORGE talks to
H. S. EDE
NAUM GABO
DAVID GASCOYNE
NICOLETTE GRAY
JEAN HELION
BARBARA HEPWORTH
LESLIE MARTIN
ROBERT MEDLEY
HENRY MOORE
ROLAND PENROSE
JOHN and MYFANWY PIPER and HERBERT READ
By the early Thirties painting and sculpture had begun to recover the experimental momentum that they had had in England immediately before the war. Groups and magazines like Unit One, Axis, Circle, the Surrealist Exhibition of 1936. the presence in London of leading Continental artists, were among the factors which helped to lay the foundations of a vital modern school in this country.
Produced by LEONIE COHN
Part 2, Art-The Road These Times Must Take: December 2 Novelists of the Thirties: November 30

1631-1700
Read by PRUNELLA SCALES and DENIS MCCARTHY
Arranged and produced by JOE BURROUGHS

URSULA BUCKEL (soprano)
EMMY LISKEN (mezzo-soprano) THEO ALTMEYER (tenor) JAKOB STAMPFLI (bass)
SOUTH GERMAN MADRIGAL CHOIR RAINER KOEBLE (violin) PAUL SCHROER (viola)
HANS.JÜRGEN MÖHRING (flute) HARTMUT STREBLE (flute)
HELMUT WINSCHERMANN (oboe) OTTO WINTER (oboe d'amore)
HEINZ SCHNEIDEWIND (trumpet) EDITH PiCHT-AXENFELD
(harpsichord continuo)
JORG ZETTLER (organ continuo) ALWIN BAUER (cello continuo) HELMUT Rick
(double-bass continuo)
GERMAN BACH SOLOISTS
Conducted by Wolfgang Gonnenwein
Part 1
Suite No. 4, in D major (S.1069)
9.3' Cantata No. 172: Erschallet, ihr Lieder

tby MICHAEL HOSKIN
Lecturer in the History of Science in the University of Cambridge
The music of the spheres is a familiar idea as a link between medieval music and medieval astronomy. In actual fact this concept went underground in a most curious fashion during the Middle Ages. It emerged even more curiously in the period of Copernicus and Josquin when the old Pythagorean dream of the heavenly harmony produced a remarkable pay off in the hard currency of technical astronomy.
These talks are among a number devised to accompany the current series of music programmes from the Middle Ages to the Renaissance.

Part 2
Cantata No. 199: Mein Herze schwimmt im Blut
10.21' Cantata No. HO:
Unser Mund sei voll Lachens
Recording of the concert given in the Town Hall, Oxford, on June 25 as part of the English Bach Festival followed by an interlude at 10.55