Programme Index

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A programme of recent records
Overture and Suite in E minor
(Musique de table) (Telemann)
Schola Cantorum Basiliensis
Conducted by August Wenzinger

6.30 Andante in C major, for flute and orchestra (K.315) (Mozart)
Hubert Barwahser with the London Symphony Orchestra Conducted by Colin Davis

8.36 Suite: The Golden Cockerel (Rimsky-Korsakov)
Boston Symphony Orchestra
Conducted by Erich Leinsdorf

A requesprogramme of recorda
Overture: Tam O'Shanter (Arnold) NEW SYMPHONY ORCHESTRA
Conducted by ALEXANDER GIBSON
9.55* Piano Concerto in G major
(Rubbra)
DENIS MATTHEWS with the BBC SYMPHONY ORCHESTRA
Conducted by SIR MALCOLM SARGEN
10.24* Symphonic Study: Falstaff
(Eloar)
HALLE ORCHESTRA
Conducted by SIR JOHN BARBIROLLI

Contributors

Conducted By:
Alexander Gibson
Unknown:
Denis Matthews
Conducted By:
Sir Malcolm Sargen
Conducted By:
Sir John Barbirolli

edited by Anna Instone and Julian Herbage
Introduced by JULIAN HERBAGE Cordon Jacob (born July 5, 1895): by JEAN MACKIE
Puccini's 'Trittico' by Mosco CARNER
Harmonious Meeting: book review by FRANK HOWES
Carl Orff (born July 10, 1895): by MARGARE MURRAY

Contributors

Edited By:
Anna Instone
Introduced By:
Julian Herbage
Introduced By:
Cordon Jacob
Unknown:
Jean MacKie
Unknown:
Frank Howes
Unknown:
Carl Orff
Unknown:
Margare Murray

Opera in one ac
Music by Puccini
Words by GIUSEPPE ADAMI after a play by DIDIER GOLD Sung in Italian on gramophone records
CHORUS AND ORCHESTRA OF THE MAGGIO MUSICALE FIORENTINO
Conducted by LAMBERTO GARDELLI
The action takes place on Michele's
Glorgetta and Lulgl arrange to meeanight, when she strikes a match as a signal. Michele reminds his when his greacloak used to shelter them both. buGlorgetta coldly leaves him. Alone. Michele lights flame for Glorgetta's signal. climbs on board. Michele strangles him and hides the body under his cloak. throws back the cloak to reveal ber dead lover.

Contributors

Conducted By:
Lamberto Gardelli

MargarePrice (soprano)
Zara Dolukhanova
(mezzo-soprano)
Gerald English (tenor)
Thomas Hemsley (baritone)
London Bach Society
Obbligato:
EMANUEL HURWITZ (violin) IVOR McMAHON (violin)
JOY HALL (viola da gamba)
DESMOND DUPRE (viola da gamba) FRANS BRUGGEN (recorder) EDGAR HUN(recorder) WILLIAM BENNET (flute) HENRY MESSEN(flute)
PETER GRAEME (oboe d'amore)
EDWARD SELWYN (oboe d'amore) DEIRDRE DUNDAS-GRAN(bassoon)
Continuo:
SIMON PRESTON (organ)
BERNARD RICHARDS (cello) PHILIP SIMMS (double-bass)
English Chamber Orchestra Leader, Emanuel Hurwitz Conducted by Wolfgang Gönnenwein
From the Oxford Playhouse in association with the English Bach Festival Bach
Par1
Cantata No. 35: Geisund
Seele wird verwirre
3.0* Cantata No. 106: Gottes
Zei1sdie allerbeste Zei

Contributors

Mezzo-Soprano:
Zara Dolukhanova
Baritone:
Thomas Hemsley
Violin:
Emanuel Hurwitz
Violin:
Ivor McMahon
Viola:
Desmond Dupre
Unknown:
Frans Bruggen
Flute:
William Bennet
Oboe:
Peter Graeme
Oboe:
Edward Selwyn
Unknown:
Simon Preston
Cello:
Bernard Richards
Double-Bass:
Philip Simms
Leader:
Emanuel Hurwitz

played by the JUILLIARD STRING QUARTERober Mann (violin) Isadore Cohen (violin) Rafael Hillyer (viola) Klaus Adam (cello)
Recorded athe Israel Third Music and Drama Festival in 1964 and made available by courtesy of the Israeli Radio

Contributors

Violin:
Rober Mann
Violin:
Isadore Cohen
Viola:
Rafael Hillyer
Cello:
Klaus Adam

First of three talks by Max Lock based on a recent R.I.B.A. lecture

No one denies the relative failure of town planning since the war to achieve its main object, a balanced environment. Is the Government as concerned with promoting more vigorous and imaginative physical planning as it is with the Deed for economic planning? Max Lock, known for his long series of town plans ranging from that for Middlesbrough in 1946 to that for Brentford this year, analyses the weaknesses in our town planning system.
(Second broadcast)

Contributors

Speaker:
Max Lock

A critical anthology by FRANCIS BERRY
Readers,
JANE JORDAN ROGERS
C. R. M. BROOKES
DENIS MCCARTHY
GUY KINGSLEY POYNTER
Produced by CHRISTOPHER HOLME

Contributors

Readers:
Francis Berry
Readers:
Jane Jordan Rogers
Readers:
C. R. M. Brookes
Unknown:
Denis McCarthy
Unknown:
Guy Kingsley Poynter
Produced By:
Christopher Holme

An episode from the Mahabharata
Words and music by Gustav Holst
Cast in order of singing:
BBC Women's Chorus
Members of the English Chamber Orchestra
Conducted by Imogen Holst

The scene is a wood at evening

Contributors

Music By:
Gustav Holst
Conducted By:
Imogen Holst
Producer:
Lionel Salter

by J. C. Holt, Professor of Medieval History in the University of Nottingham
There Is a myth of Magna Carta which has its own historical importance. But there is also an equally significant reality. Professor Holt examines the history of the Great Charter and defines it as the first Statute, though it was not enrolled until eighty years after its signature.

Contributors

Speaker:
J. C. Holt

An opera In one act by Gustav Holst
Libretto by Clifford Bax Based on a story by Helen Waddell
Leader, Emanuel Hurwitz
Conducted by Imogen Holst
Produced by Lionel Salter
The scene Is the kitchen of thirteenth-century farmhouse
Harold Blackburn broadcasts by permission of Sadler's Wells Opera Company

Contributors

Composer:
Gustav Holst
Libretto:
Clifford Bax
Based on a story by:
Helen Waddell
Leader:
Emanuel Hurwitz
Conductor:
Imogen Holsy
Producer:
Lionel Salter

by Johan Augus Strindbers
MAX FABER 'S transiation adapted by HELENA WOOD and RAYNER HEPPENSTALL with The scene Is sein Stockholm. aDd the date is 1654
Produced by RAYNER HEPPENSTALL
To be repeated on July 28 See previous page

Contributors

Unknown:
Johan Augus Strindbers
Unknown:
Max Faber
Adapted By:
Helena Wood
Adapted By:
Rayner Heppenstall
Produced By:
Rayner Heppenstall
Queen Christina:
Zena Walker
Narrator:
Heron Carvic
K!as Tot:
Anthony Hall
Magnus de la Gardie:
William Fox
CounAnton SteInberg:
Bruce Beeby
Marta Eleanora, the Queen Mother.:
Molly Rankin
Axel Oxenstjerna, the Chancellor:
Carleton Hobbs
Johan Holm, the CourTailor:
Basil Jones
Prince Carl Gustav:
Ronald Baddiley

Network Three

Appears in

About this data

This data is drawn from the Radio Times magazine between 1923 and 2009. It shows what was scheduled to be broadcast, meaning it was subject to change and may not be accurate. More