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Overture: Le Maschere
(Mascagni)
ROME OPERA HOUSE ORCHESTRA
Conducted by GABRIELE SANTINI
8.12' Guitar Concerto (Rodrigo) NARCISO YEPES (guitar)
NATIONAL ORCHESTRA OF SPAIN
Conducted by ATAULFO ARGENTA
8.34' Suite: Pulcinella
(Stravinsky)
SUISSE Romande ORCHESTRA
Conducted by ERNEST ANSERMET on gramophone records

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Brahms
Records of The Song of Destiny, the Alto Rhapsody, and an unaccompanied motet

Each Friday the programme includes piano music by Schubert
ERICH GRUENBERG (violin) ERIC HARRISON (piano)
ALASDAIR GRAHAM (piano)
Ϯ AEOLIAN STRING QUARTET
Sydney Humphreys (violin) Raymond Keenlyside (violin) Watson Forbes (viola) Derek Simpson (cello)

(soprano) sings excerpts from
ROMEO AND
JULIET NORMA
LES HUGUENOTS
LAKME
Lucia di LAMMERMOOR on gramophone records

A programme in which musicians sketch in the background of their musical life and introduce the music
This week:
Ϯ BASIL LAM introduces
THE BASIL LAM Ensemble Patrick Halling (violin) Marjorie Lavers (violin) Peter Halling (cello)
Basil Lam (harpsichord) who play
April Cantelo

BARRY TUCKWELL (horn)
BBC NORTHERN ORCHESTRA Leader, Reginald Stead
Conducted by STANFORD ROBINSON

Felix APRAHAMIAN looks at some of the outstanding musical events that are taking place in London and the South-East during the coming week and are not being broadcast

Part 2
Given before an invited audience in the Town Hall, Manchester, by courtesy of the Manchester Corporation

Italian
Selected recordings from the Italian programmes of the BBC's External Services

Supplementary Series
The theme for this year is
Art in Britain
1: Kirby Hall , Northants
Speaker. SIR JOHN SUMMERSON
Produced by GEORGE WALTON SCOTT
These broadcasts are part of a scheme for subscribers who receive coloured prints of all the paintings and black and white illustrations of all the other works discussed, together with background notes. The material is despatched quarterly and a stiff-backed folder to house the year's supply is included In the delivery of the notes for the first quarter.
Subscriptions for the year are 35s., and should be sent to BBC Publications (Painting 1965), P.O. Box 123. London. W.1.

Lesson 14
Au theatre
Introduced by KATIA ELLIS and Louis BLONCOURT
Written and produced by ELSIE FERGUSON
Language consultant, PAUL COUSTER
Monday's broadcast
A booklet and records are available

Phyllis Tate
Sonata f played by GERVASE DE PEYER and WILLIAM PLEETH

by Margaret Harlow
Professor Harry Harlow and his wife Margaret work together at the Regional Primate Research Center of the University of Wisconsin. During the past few years, they have built up an international reputation for their pioneer studies on mother-child relationships, and on the development of affection in rhesus monkeys, and their work has been given wide publicity.
The Harlows visited Britain late last summer, and recorded an account of their most recent work. and its implications.
'What happens if you raise children in socially deprived environments?' Recent experiments have explored the truth behind the legends of children raised by wolves.

A substitute mother used by the Harlows for rearing rhesus monkeys Photo: Fred Sponboiz, Science
SCIENTISTS cannot solve all human problems by experimenting directly on human beings. We rightly object to experiments which may involve human suffering. But our close relatives, the primates - the monkeys and apes - are, in many respects, nearly human, so we might well look to them for an answer to our questions.
Tonight you can hear two scientists who have built up a world-wide reputation as pioneers in this kind of research. Seven years ago, at Wisconsin, Professor Harry Harlow and his wife Margaret began a classic series of experiments on the growth of affection among rhesus monkeys. Professor Harlow describes the work as ' labouring with love in the laboratory.' The problem they originally tackled concerned the relationship between mother and child: they reared monkeys on 'dummy mothers,' covered with terry cloth; and they reared them alone. The results of these experiments are startling, and have disturbing human implications.

All this has earned the Harlows not only fame but also a certain notoriety, for their work has been criticised as being cruel. Tonight, you can judge for yourselves. On a recent visit to this country, they recorded two talks on their latest research, and, in a conversation with Donald Broadbent, discussed its implications and answered some of the criticism. (David Edge)

Concerto Grosso No. 12, in G major, Op. 6 No. played by The ACADEMY OF
ST. MARTIN -IN -THE-FIELDS
Directed by NEVILLE MARRINER on a gramophone record

2: An Analysis of Love by HARRY HARLOW
'No one has attempted to labour with love in the laboratory, and to analyse it scientifically, until we began our researches some seven years ago.' Professor Harlow describes the five basic ' affectional systems ' revealed by this research.

Chorale Prelude: Herr Christ der einig Gottes Sohn (Melchior Schildt)
Prelude and Fugue in G major
(Bruhn.s) played by JORGEN ERNST HANSEN on the organ of St. Andrew's Church, Copenhagen on gramophone records

3: Like Monkeys, Like Men
Ϯ The HARLOWS discuss some of the implications of their research with DONALD BROADBENT Director of the MRC Applied Psychology Unit, Cambridge

played by ALAN LOVEDAY (violin)
AMARYLLIS FLEMING (cello)
LAMAR CROWSON (piano)
Introduced by BASIL LAM
The first of two programmes of piano trios
Next programme, including Beethoven's Trio in E flat major, Op. 1 No. 1: January 29

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