On the Occasion of the Opening Ceremony of The Pavilion, Bournemouth
S.B. from Bournemouth
GOD SAVE THE KING
Address of Welcome by His Worship THE
MAYOR of BOURNEMOUTH (
Alderman C H. CARTWRIGHT , J.P.)
H.R.H. THE DUKE OF GLOUCESTER replies to the Address of Welcome, and formally declares the building open
Address by the Chairman of the Pavilion Committee (Alderman H. J. THWAITES , J.P., Deputy
Mayor of Bournemouth)

ANNETTE BLACKWELL (Soprano)
THE ALICE ELIESON TRIO

From the Hotel Cecil

2.0 2.25 (Daventry only) Experimental Transmission of Still Pictures by the Fultograph Process

Sir WALFORD DAVIES
(a) A Beginner's Course
(b) An Intermediate Course with Short Concert
(e) A Short Advanced Course

Conducted by ARNOLD EAGLE
From the Shepherd's Bush Pavilion

The Rev. J. A. NAIRN , D.Litt.: 'The Classics in Translation-V, Translators of the Present Time'

' Tho Queen's Champions'—a Robin Hood Play, specially written for broadcasting by C. E. Hodges

Read by Mr. CHARLES SIEPMANN

BRAHMS' SONGS
Sung by MARK RAPHAEL (Baritone)

' Can Women influence legislation more effeclively by joining Party or Non-Party Organizations f ' A Discussion between
Dame CAROLINE BRIDGEMAN and Lady GALWAY
IT would be difficult to find two people better qualified to discuss this question. Dame
Caroline Bridgeman is a party woman in a very special sense. She is not only a past Chairman of the Women's Unionist Organization, but also past Chairman of the Council of the National Union of Conservative and Unionist Associations—the first woman to be elected to such a post in any party. Lady Galway's public work, including her share in her husband's work as Governor of South Australia, has lain chiefly in non-party lines. She was Chairman of the Consultative Committee of Women's Organizations, and is still Chairman of the Joint Par. liamentary Advisory Council.

DELPHI, which forms the subject of Mr.
Casson's talk this evening, was the religious centre of the Greek classical world. It is difficult for the inhabitants of an almost mechanical and materialistic world to realize the power of the famous oracle to which all the States of Hellas, and even the kings of the Barbarians sent presents; which bade the Athenians retire their ' wooden walls' before Salamis, and warned Croesus that if he crossed the River Halys, 'he would destroy a mighty empire.'

GWEN KNIGHT (Soprano) SAMUEL SAUL (Baritone)
THE WIRELESS MILITARY BAND
Conducted by B. WALTON O'DONNELL

Fragments from Hans Andersen
York Bowen , arr. Gerrard Williams
The Metal Pig: A Picture from the Fortress Wall; Thumbelina; The Hardy Tin Soldier
ONE of the distinguished pianists of our generation, York Bowen has composed in many forms, and though his own instrument has naturally been generously treated, with three Concertos among other works, he has written too for the viola and for -the orchestra. A 'Symphonic Fantasia' of his was given by Hans Richter both in London and in Manchester before the war; and his ' Symphony in E Minor,' as well as a brilliantly effective Violin Concerto, was warmly received in the Queen's Hall. But, thoroughly at home as he is in the largo forms, he is no less happy in dealing with such lighthearted themes as these imaginative ' Fragments from Hans Andersen. ' Listeners who know the stories will naturally enjoy them best, but even as pure music they are fresh and melodious.

Cornish Rhapsody, No. 1 . . Geehl

Ballet Suite, ' The Swan Lake '
Tchaikovsky Valse ; Dance of the Swans; Hungarian Dance.

by Joseph Szigeti (Violin) and Boris Golschmann (Pianoforte)

Ciro's Club Band, under the direction of Ramon Newton, from Ciro's Club