Mr. F. M. EARLE , 'Choosing the Best Work for your Girl '—IT
NOW that so many girls want to have careers of their own. or. at least, to be capable of earning their own living, the problem that faces parents when the children begin to grow up has become more extensive than it used to be. In the last of his series of talks, Mr. Earle will give them some advice as to how to set about the task of finding a career for a girl.

MARY OGDEN (Contralto) DAVID LILLIMAN (Violin)
PHILLIPA SAXE-WYNDHAM (Pianoforte)

By CHRISTOPHER STONE
2.0 2.25 (Daventry only) Experimental Transmission of Still Pictures by the Fultograph Process

Mr. A. LLOYD JAMES : Speech and Language '

From Westminster Abbey

ROSALIND ROWSELL (Soprano)
THE GEORGIAN Trio

Magic is as Magic Does
-according to CYRIL SHIELDS , who will expound the ' simple ' art. There will also be ' The Magic Hat '—made to fit the occasion by RALPH DE ROHAN , and 'The Wand of Youth' (Elgar), played by THE GERSHOM PARKINGTON QUINTET

The Rev. Eric SOUTHAM , (Vicar of St. James Church,. Bournemouth), 'Teach us to Pray—V, When ye pray say, " Forgive us our trespasses as we forgive them that trespass against us."
S.B. from Bournemouth

CHOPIN MAZURKAS
Played by IRENE SCHARRER (Pianoforte)

AN iteroplane is an elaborate mechanism, and looks it ; but in studying the principle of its flight, one must begin by forgetting its complexity and regarding it as a single plane surface. In his second talk Dr. Hart will explain how an ' 'aerofoil' behaves during swift motion through the air.

ETHEL FENTON (Contralto) FRANK TITTERTON (Tenor)
THE WIRELESS MILITARY BAND
Conducted by B. WALTON O'DONNELL
CONTRASTS—THE GAVOTTE is one piece, not two as its name might suggest, and it preserves the Gavotte character throughout. The contrast between the old-world simplicity with which it begins and the more modem spirit which intrudes on it from time to time, is achieved by slight alteration of the speed and freer and more elaborate use of the available instruments, rather than by any actual departure from the stateliness of the measure.
THESE two pieces were originally composed as pianoforte solos; Robert Chignell has arranged them very deftly and effectively for performance by Military Band. Both are characteristic old dance tunes of the North Country—the first a quick step in 6-8 measure, running along very merrily, and the second, a robust and vigorous reel. There are hints of laughter in it, and the way in which it begins with bassoon alone and only rhythmio accompaniment, is truly mirthful.

By GEORGE PARKER (Bass) and ERWIN SCHULHOFF (Pianoforte)