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Played by EDGAR T. COOK Relayed from Southwark
Cathedral

Funeral Music (The Third Mode Melody) - Thomas Tallis, arr. Martin and Geoffrey
Prelude and Angel's Farewell (' Gerontius - Elgar
GRACE BODEY (Contralto) A Prayer - Hiller
EDGAR T. COOK Verdun (Sonata Eroica) - Stanford
Cortège - Debussy
Resurgam - Grace
GRACE BODEY Alleluia - O'Connor Morris
EDGAR T. COOK Funeral March and Hymn of Seraphs - Guilmant
Psalm Tune Postlude, ('The Old Hundredth ' (0 God our Help in Ages past) - Grace

DESPITE the imperfections of fossils as a record of the various stages of life on the earth (there are long periods of time and large areas of former land and sea that still remain unknown by fossils), much has been learned that is not only of interest to the scientist, but to the man-in-the-street. In this talk, the second of Sir Arthur Smith Woodward 's contributions to the series, he will carry on the story of fossil-study, some of his examples including observations among fishes, extinct flying reptiles, horses, deer, and elephants.

MARCIA VAN Dresser
THE ENTENTE STRING Quartet
CECIL BONVALOT ( Violin) ;DOROTHY CHURTON (Violin); JAMES LOCKYER (Viola);
EDITH CHURTON (Violoncello)
IT is not easy to describe in words, as a listener recently asked the B.B.C. to do, what is meant by ' Romantic ' music. To any who listens attentively, Schumann's music itself answers the question much better than words could do, and nowhere more convincingly than in the string quartets. They are full, even fuller than most of Schumann's music, of those poetic qualities for which no better term could easily be found than ' Romantic' and they had a good deal to do with enhancing his reputation when they appeared in 1842, as practically his first essay in writing chamber music. They were clearly composed under genuine impulse ; all three, were written within a month, and the last two movements of the third occupied Schumann only one day each. They are dedicated to Mendelssohn, and the Leipzig world of music took them up with enthusiasm.

2LO London

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This data is drawn from the Radio Times magazine between 1923 and 2009. It shows what was scheduled to be broadcast, meaning it was subject to change and may not be accurate. More