Arthur Cranmer (Baritone)
William Primrose (Solo Violin)
The Wireless Symphony Orchestra, conducted by the Composer
Orchestra
First Norfolk Rhapsody
At the centre of Vaughan Williams's creed we find folk-song. There can be few men living who understand and love the homely songs of the people as he does, and in his three Norfolk Rhapsodies he has written works based upon folk-songs he has himself collected in the Fen country.
The First Rhapsody contains five such songs, which enter in this order: (1) A slow Introduction has the rhythm of The Basket of Eggs; (2) The Captain's Apprentice (Solo Viola); (3) A Bold Young Sailor he Courted Me (Cor Anglais, Harp accompanying); (4) Ward the Pirate (Brass, giving out the tune in a drawn-out form); (5) On Board a '93 (Strings).
Arthur Cranmer
Songs with Piano
The Water Mill
Silent Noon
When Icicles hang by the Wall
ORCHESTRA
Pastoral Symphony
ARTHUR CRANMER
Songs with Piano
Whither Must I Wander?
The Sky Above the roof
The Winter's Willow
WILLIAM PRIMROSE
Romance, 'The Lark Ascending'
This is a very lovely 'Romance' for Solo Violin and Orchestra, inspired by George Meredith's poem beginning:-
He rises and begins to round,
He drops the silver chain of sound, Of many links without a break,
In chirrup, whistle, slur and shake.
The whole piece is extremely delicate. The listener must settle comfortably in his chair and attain a restful frame of mind.
ORCHESTRA
Fantasia (on a Theme by Tallis) for String Quartet and Double String Orchestra
VAUGHAN WILLIAMS'S spirit in religious music is much akin to that of the sixteenth century Thomas Tallis, whom we call 'the Father of English Cathedral Music.'
Here is a work in which, as the present-day composer muses upon one of Tallis's psalm tunes, we receive a singularly sweet and pure impression of beauty.
In the weaving of the musical tapestry the Orchestra is divided into two bodies, and a quartet of String Soloists is also employed.
The Fantasia was written for the Gloucester Festival of 1910, and first performed there-in the ideal surroundings for such a piece.
Overture to Incidental Music to Aristophanes' 'The Wasps'
For the production of Aristophanes' Comedy, The Wasps, at Vaughan Williams's own University of Cambridge in 1909, the Composer wrote incidental music, which he later made into a suite.
The themes in the Overture are taken from the music that accompanies the play. First we hear the buzzing of the wasps (who act as chorus in the play, giving their views on current topics, and putting a sting into them.) Then we hear old modal tunes in the folk-song style, that one of the characters sings; and lastly there are themes from a scene of reconciliation between father and son, whose quarrels form the main subject of the play.