Paul Hollingdale with resident bands, singers, and discs, plus news, weather, and traffic
Your records - your choice of guests - it's all yours
(Requests and suggestions, on postcards please, to ' Open House,' BBC, London, [Postcode removed])
A Truth, a Tune, and a Text: with MARTHA BLOUNT
Klondykc by ALASTAIR MACDOUGALL read by DUNCAN MCINTYRE
(Wednesday afternoon's broadcast)
presents music with the Accent on Melody
Introduced by MARJORIE ANDERSON
Out of the news
A visit to the past: DORA SAINT Books on sex: reviewed by a doctor
I just listen ...: ANNE SUTER
Housing Associations: GORDON SNELL investigates
Still Glides the Stream by FLORA THOMPSON abridged by FRANCES HITCHINS read by MARJORIE WESTBURY First of ten instalments
Middle Park Stakes
Run over six furlongs
Commentary by PETER BROMLEY
Written by JEFFREY SEGAL
with Brian Matthew for news, views, and music from all directions
Produced by FRANCES LINE
Barry Alldis with a review of the current popular record releases
Radio Newsroom brings you what's news tonight
Followed by Comment
Presenter MALCOLM BILLINGS
ROBIN RICHMOND introduces the organ styles of REGINALD PORTER-BROWN (The ABC. Torquay) HUBERT SELBY
(The Odeon, Manchester) DON LORUSSO and news and views of the theatre organ world
An adventure serial in six parts by DAVID HOPKINS with John Pullen as Ian Farnham
Part 6:Double Cross Times Two' James has been in contact with me ever since this thing started. He kept telling me to leave it all to him. No wonder! '
Produced by ROGER PINE
A radio correspondence column in which listeners add their comments to some of the views expressed in last Friday's Any Questions? from Skegness, Lincolnshire
Introduced by David Jacobs
(Repeated: Friday, 3.30 pm on Radio 4)
Semprini plays his own arrangements for piano and orchestra with the SERENADE ORCHESTRA leader JULIEN GAILLARD conducted by VILEM TAUSKY
Produced by FRANK HOOPER
Semprini returns this evening to begin another series of his well-loved programmes. He will be presenting music in his own individual style, catching the casual listener off his guard, and bringing ' background music ' into the foreground. His gentle art of ' hooking ' his listeners stems from his own devotion to and belief in the music he plays. As he explained in Sound Stage a fortnight ago, music that he likes simmers in his mind, until he finds a shape, a form, into which to pour it
