Haydn Sonata in Eflat (HXV152)
Alfred Brendel (piano)
(CantataNo29)
Taverner Players/ Andrew Parrott
Overture: The Wasps Bournemouth SO/
Constantin Silvestri
Christopher Hogwood
Op 26 No 1
Shura Cherkassky (piano)
Mexico City PO/ Enrique Ba'tiz
Suite, Op 11
Academy of St Martin/ Neville Marriner
Records
Producer John Thomley
(piano)
Haydn Variations in F minor (HXVII6)
Ravel Valses nobles et sentimentales
Liszt Venezia e Napoli
with Anthony Burton. Record Review
Building a Library: Beethoven's three
Razumovsky Quartets,
Op 59 by Robert Layton. John Deathridge reviews the new Solti/Pavarotti Otelloand Barenboim 's
Parsifal.
Jessye Norman (soprano) James Levine (piano)
The Britten Quartet
John Sharp (cello) ChicagoSO/
Daniel Barenboim
Records. Producers Nick Morgan and Clive Portbury
(Record Review is repeated on Wednesday at 2.00pm)
The third of four programmes in which actor Hugh Walters reflects on language and how it is used.
(cello and piano)
Beethoven Variations on Mozart s "Ein Mddchen oder Weibchen ", Op 66
Schumann Adagio and Allegro, Op 70
Faure Serenade , Op 98 Poulenc Cello Sonata
conductor Tadaaki Otaka Rossini Overture: Semiramide
Rachmaninov Symphony No 2 in E minor, Op27
(soprano)
Roger Vignoles (piano) Grieg Solveig s Song (Peer Cynt);Jegelsker dig!: En Drøm
Wolf Er ist's; Das verlassene Mdgdlein;
Begegnung; Der Knabe unddaslmmlein
(MorikeLieder)
Strauss Ich wollt'ein
Strdusslein binden; Die Nacht;Stdndchen
David Owen Norris (piano) gives the first British performance of the Kennedy Variations on a Theme o/Purcell, written for him by Michael Berkeley , James MacMillan ,
William Mathias and Gerard Victory ; and discovers Debussy being wintry and Mendelssohn not being Christmassy. Plus a little seasonal test for Chris de Souza.
Producer Sarah Devonald
Presented by Geoffrey Smith.
ProducerAndrew Mussett
A week in the arts with Christopher Cook.
Reviews: HanifKureishi's first film as director, London Kills Me; the material world of Tintin at
London's Design Museum; and Lope de Vega's play The Great Pretenders.
Opinions:
Michelene Wandor and Adam Mars-Jones .
Features: the state of animation and role reversal on the stage. Producers Quenttn Cooper and Adrian Washbourne
Opera in four acts by Gioacchino Rossini.
Libretto by Stephane de Jouy and Hippolyte Bis after Schiller.
Chorus of the Grand
Theatre, Geneva; Bulgarian Vocal Ensemble; Suisse
Romande Orchestra conductor Gabriele Ferro
Act
(Acts 3and 4 at 9. 25pm)
The Language of the Genes
Six talks by Dr Steve Jones , Reader in Genetics at University College, London, on the new biological insight into humanity.
5: Cousins under the Skin
People have always been grouped by culture, language and race. Does a study of genes confirm or refute this traditional classification?
Acts 3 and 4
Goyescas Yonty Solomon (piano)
