Market trends, news, weather
Prayer and Meditation for Ascension Day
and Programme News
Ascension Day hymn:
Hail the day that sees him rise
Radio's breakfast-timemagazine
Introduced by LIAM NOLAN
fPrayer and Meditation for Ascension Day
and Programme News
Ascension Day hymn:
Hail the day that sees him rise
Revised second edition
Introductory music for Assembly
Tuesday's broadcast
A medical magazine introduced by JOAN YORKE and including:
Specialist in the Studio: a psychiatrist answers questions on schizophrenia
Choosing your G.P.: TONY SCHOOLING reports on how doctors and patients think we ought to select our family doctors
Produced by Thena Heshel
by RACHEL PERCIVAL
Tuesday's broadcast
Ascension Day
New Every Morning, page 33
Hail the day that sees him rise
(BBC H.B. 125)
Psalm 24
Acts 1, vv. 1-11
The Lord ascendeth up on high
(BBC H.B. 133)
by PROFESSOR W. S. BULLOUGH
Reproduction and Growth series
Follow-up: JOHN HUW DAVIES leads in practice of activities begun in the Music Workshop
Written and produced by William Murphy
Hoe-down
Introduced by JOHN CAMBURN Script by Douglas Coombes
Produced by Jenyth Worsley
That's Worth Doing
Written by Leslie Smith
Starting Points series
by NIGEL MURPHY
Geography
Northamptonshire v. The Australians
Second day
Commentary by PETER CRANMER and ALAN McGILVRAY from the County Ground, Northampton
by John Galsworthy
44: Like a Man Drowning
Tuesday's broadcast
and Programme News
The News and Voices and Topics in and behind the headlines
Introduced by WILLIAM HARDCASTLE
Wednesday evening's broadcast
Story: ' Penny, Twopence and Joey at the Fishmarket ' by Mary Walker
3: Let that country be within me
Poems by Peter Clarke , Pamela Lewis , Edward Thomas , Miroslav Holub , Edwin Morgan , James Reeves , and Denise Levertov , arranged by Geoffrey Summerfield
Living Language series
Lei's hear it again
Favourite poems and songs
Follow-up
Written and produced by William Murphy
A rare collection of instruments from the sixteenth to the nineteenth century: discussed by MADEAU STEWART and illustrated with recordings from the BBC Sound Archives
4: Early Pianos (ii)
Produced by Leslie Perowne
Northamptonshire v. The Australians
Further commentary
A school where rich and poor, privileged and under-privileged children learn to live together for the benefit of all.
Recorded and narrated by WILFRID THOMAS
for Ascension Day from Gloucester Cathedral
Introit: Coelos ascendit hodie
(Stunford)
Preces and Responses (Bwrd)
Psalms 47 (Beckteith), 110 (Mornington)
Magnificat and Nunc dimittis
(Murrill in E)
Anthem: God is gone up with a triumphant shout (Finzi)
Lessons: Daniel 7, vv. 9, 10. 13.
14; Hebrews 1
Hymn: The head that once was crowned with thorns
Organist and Master of the Choristers. JOHN SANDERS
Assistant Organist, Richard Latham
A family magazine introduced by POLLY ELWES and including:
Tales from Dublin to Canterbury: WILFRID BRAMBELL Visits the studio to talk about his childhood in Ireland and his theatrical career from Steptoe to his current role in The Canterbury Tales at the Phoenix Theatre, London
Thursday Club: ALIZA SHAPIRO talks about an unusual club in Camden
True Tales by ROBERT RIETTY.
3: Little Franc and the island path
Variations on the Suet Pud:
GEORGE VILLIERS suggests some new ways with an old favourite
Drop us a line: your news, views, and memories
Lost Splendour
The autobiography of Prince Felix Youssoupoff 1887-1967 translated by Ann Green and Nicolas Katkoff abridged by Donald Bancroft in eight episodes
Read by GEORGE MERRITT
3: A Duel and its Consequences
and Programme News
Regional news - The stories behind the headlines-Scotland Yard Calling-South-East Sport —FRED STREETER on Gardening Introduced by COLIN HAMILTON
A play in five parts by Francis Durbridge
Part 2
Pianist. Norman Hackforth who plays ' There are no words ' by Basil Hempseed
Produced by MARTYN C. WEBSTER
Broadcast on Oct. 5. 1967 (Radio 2)
Mass in F minor
JANET PRICE (soprano)
JEAN ALLISTER (contralto) WILFRED BROWN (tenor) JOHN NOBLE (baritone)
CARDIFF AELWYD CHOIR
Chorus-Master, Alun Guy
BBC WELSH ORCHESTRA Leader, Colin Staveley
Conductor, JOHN CAREWE
The three Masses which Bruckner wrote between 1864 and 1868 contain the clues to his later and greater symphonies and even have thematic affinity with the earlier ones. The relationship works two ways. In the more majestic expanses of the symphonies it is not difficult to imagine Bruckner seated at his beloved organ; the music evokes visions of stained-glass windows and mighty cathedral roofs. And in the Mass in F minor the hand of the natural symphonist is confident and strong, with a quickly emerging grasp of architecture and form. KENNETH LOVELAND
A documentary farce by Ray Butler
with Wolfe Morris as The Spy
See page 40
Current events explored through the personalities of people who make them by GEORGE SCOTT
The News
Background to the News
People in the News followed by LISTENING POST
ANNE ALLEN introduces letters from today's postbag
Men at Arms by EVELYN WAUGH
Read byHUGH BURDEN
Fourteenth of twenty instalments
ANTHONY PINI (cello) with WILFRID PARRY (piano)
