MacMillan discovers music in his Catholic family and East Ayrshire community. A recorder at school plus his grandfather's love of brass bands unlocked a lifelong passion for music. Show more

James MacMillan discusses the birth of his political and religious views plus the writing of his Cello Concerto for Rostropovich and Veni Veni Emmanuel for Evelyn Glennie. Show more

MacMillan considers his connection with his listeners and the process of composition. He reveals his childhood entrancement with Wagner's Ring, which continues today. Show more

MacMillan criticises Scotland in a public address and his music: A Scotch Bestiary and his Second Piano Concerto, the last movement of which is entitled Shamnation. Show more

James's festival, the Cumnock Tryst, brings musical sharing to his community in Ayrshire. And his religious music continues to bring solace even in very difficult family times. Show more