' Christian Societies Outside the Church '-2
' The Y.M.C.A. and Y.W.C.A.'
J. Forrester Paton

New York Philharmonic Symphony Orchestra conducted by Toscanini: Overture, The Italian in Algiers (Rossini)
Czech Philharmonic Orchestra conducted by Vaclav Talich: Slavonic Dances (Dvorak)-No. 11, in F, No. 13, in B flat minor
Symphony Orchestra conducted by Sir Thomas Beecham, Bart.: Brigg Fair (Delius)
New York Philharmonic Symphony Orchestra conducted by Toscanini: Prelude Act I, Lohengrin (Wagner)

(Church of Scotland) from Glasgow Cathedral
Order of Service
Psalm cxxi, I to the hills will lift mine eyes
Prayer and the Lord's Prayer Scripture Lesson
Hymn, As with gladness men of old
(Rv.C.H. 63)
Prayer
Hymn, Lead us, Heavenly Father, lead us (Rv.C.H. 563)
Address by the Very Rev. J. HARRY
MILLER, C.B.E., D.D., Principal of St. Mary's College, St. Andrews
Paraphrase, Ix, Father of Peace, and God of Love!
Blessing
The National Anthem
Organist, Wilfred Emery

by J. Mouland Begbie

by James Bridie
Adapted for broadcasting by the author
Characters
Tobit
Tobias
Raphael
Anna
A Bandit
Raguel
Sara
Sherah
Azorah
Asmoday
The scene is laid in Mesopotamia and in Northern Persia
The time is before the reign of Ahasuerus
Act 1
Scene 1. Tobit's hovel in Nineveh
Scene 2. On the banks of the Tigris, a day's march from Nineveh
Act 2
Scene 1. Raguel's house in Hamadan
Scene 2. The same
Act 3
Scene 1. A khan near Kifri
Scene 2. A lane in Nineveh, outside
Tobit's hovel
This play, which was first performed in the Festival Theatre, Cambridge, on November 20, 1930, is described by the author as a plain sailing dramatic transcription of the charming old tale told in the Book of Tobit in the Apocrypha. One or two liberties have been taken with the text; the Jacobean language has been altered to a speech belonging to no particular period. The opinions of the characters are substantially unaltered, except those of Sara.