Programme Index

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Suite: Abdelazar (ParceU)
HARTFORD SYMPHONY CHAMBER ORCHESTRA
Conducted by Fritz MAHLER
7.17' Duets: Chiome d'oro; Zefiro torna (Monteverdi)
NADIA BOULANGER ENSEMBLE
Directed by NADIA BOULANGER
7.29* Suite in F minor (Bach) ROSALYN TURECK (piano)
7.37* Eine kleine Nachtmusik
(Mozart)
PHILOMUSICA Orchestra
Directed by THURSTON DART on gramophone records

Contributors

Conducted By:
Fritz Mahler
Directed By:
Nadia Boulanger
Piano:
Rosalyn Tureck
Directed By:
Thurston Dart

Concerto in G minor (Rameau) Stuttgart Baroque Ensemble Conducted by Marcel Courand

8.15* Le tombeau de Couperin (Ravel) Paris Conservatoire Orchestra Conducted by Andre Cluytens

8.32* Syrinx for solo flute (Debussy) Aureole Nicolet (flute)
Sonata for flute, viola, and harp (Debussy) Melos Ensemble

8.52* Berceuse: Mi-a-ou; Le pas espagnol (Faure) French National Radio Orchestra Conducted by Sir Thomas Beecham

(on gramophone records)

The Gabrielis, Schutz and Monteverdi
Ricercar and Magnificat in eight parts (Andrea Gabrieli )
ROGER BLANCHARD VOCAL and INSTRUMENTAL ENSEMBLE
Conducted by ROGER BLANCHARD
9.14' 11 combattimento di Tancredi e Clorinda (Monteverdi)
ANN DOWDALL (soprano) EDGAR FLEET (tenor) JOHN FROST (bass) with the ACCADEMU MONTEVERDIANA Conducted by Denis STEVENS
9.38* Three Madrigals (Monteverdi)
O primavera
S1. ch'lo vorei morlre Ohimè! se tanto amate
PRAGUE MADRIGAL SINGERS on gramophone records

Contributors

Soprano:
Ann Dowdall
Tenor:
Edgar Fleet
Bass:
John Frost
Conducted By:
Roger Blanchard
Conducted By:
Denis Stevens

LANGBEIN-JONES Duo
Breton Langbein (violin) Maureen Jones (piano)
THE Richards Piano QUARTET
Nona Liddell (violin) Jean Stewart (viola)
Bernard Richards (cello) Bernard Roberts (piano)

Contributors

Violin:
Breton Langbein
Piano:
Maureen Jones
Violin:
Nona Liddell
Viola:
Jean Stewart
Cello:
Bernard Richards
Piano:
Bernard Roberts

LONDON STUDIO ORCHESTRA Leader, Reginald Leopold
Conducted by RAYMOND AGOULT and music for two pianos played by WILLIAM DAVIES and WINIFRED DAVEY

Contributors

Leader:
Reginald Leopold
Conducted By:
Raymond Agoult
Played By:
William Davies
Played By:
Winifred Davey

A series of concerts given before invited audiences
This week, from Heathfield, Sussex in association with the Horam and Vines Cross Music Society
THE JOHN ALLDIS Choir Conductor, JOHN ALLDIS
OROMONTE STRING TRIO Perry Hart (violin)
Margaret Major (viola) Bruno Schrecker (cello)
Part I
Next Musicale: from Chesterfield Colin WheaUey (bass baritone) sings English songs and the Ad Solom Ensemble play piano quartets by Mozart and Faure

Contributors

Unknown:
John Alldis
Conductor:
John Alldis
Violin:
Perry Hart
Viola:
Margaret Major
Cello:
Bruno Schrecker

15: La prtma colazione
Script by Pietro Giorgettl and Elsie Ferguson
Introduced by PIETRO GIORGETTl and ARIELLA REGGIO
Produced by Elsie Ferguson
First broadcast on January 12. 1965
Repeated on Friday at 7.4 p.m.
A booklet and records are available

Contributors

Script By:
Pietro Giorgettl
Script By:
Elsie Ferguson
Introduced By:
Pietro Giorgettl
Introduced By:
Ariella Reggio
Produced By:
Elsie Ferguson

Some few of the ancient tunes of Ireland survived on the Uillean Pipes; Gaelic words were set to them; later. Rebel songs in English. Patriotic lyrics. drawing room ballads, and latterly pop songs
TOMAS DE WRIXON examines the social pressures dictating the changes
Written and produced by FRANCIS DILLON

Contributors

Produced By:
Francis Dillon

by GEORGE WATSON
Mr. Watson argues for a larger degree of mutual sympathy between those studying language in relation to its current usage and those studying its historical development. He believes that linguistics has something to offer literary history, but also something to learn from it. ' The axis of succession,' to use Saussure's terminology, is as important as ' the axis of simultaneity.'

Contributors

Unknown:
George Watson

Network Three

Appears in

About this data

This data is drawn from the Radio Times magazine between 1923 and 2009. It shows what was scheduled to be broadcast, meaning it was subject to change and may not be accurate. More