(Daventry only)

EVERY good meal, it is estimated, should contain somewhat over a thousand calories. To obtain this number of calories depends, of course, on the kind of food used, and in this morning's talk listeners will be given a clue to the kinds of recipes that can be guaranteed to provide these calories in the cheapest way.

LENA MASON (Violin)
MAY JARDINE (Pianoforte)

by LEONARD H. WARNER
Relayed from St. Botolph's.
Bishopsgate

Prelude and Fuge in F Sharp Minor - Buxtehude
Prelude Elegiaque et Pensee d'automne - Jongen
Finale (Symphony VI.). - Widor

MOSCHETTO and his ORCHESTRA
From the May Fair Hotel

Relayed from Birmingham THE BIRMINGHAM STUDIO
ORCHESTRA

From the Prince of Wales Playhouse, Lewisham

Imitations, Improvizations, and Songs at the Piano by RONALD GOURLEY
' When Brock returned' —the story of a badger
(H. Mortimer Batten )
'The Arab Dhou '—an adventure story of the Far East (Warren Hastings Miller)

ONE of the most vexing problems of the modem business girl, whose mid-day meal is apt to be scanty and hurried, is how best to fare for food in the evenings and mornings. Miss Helen Tress , who is giving this talk, is lecturer on Domestic Science at King's College, London.

HANDEL'S HARPSICHORD PIECES
Played by BERNHARD ORD

S.B. from Newcastle.
THE poetry of today is easily classified into two distinct schools; they may usefully be termed the ' emotional' and the ' intellectual' schools. The appeal of the former is naturally the wider; but poetry of the cerebral type finds an unexpectedly wide following. Of the emotional school one of the founders may be said to be Masefield, with whom, particularly, Prof. Crofts will deal in the last talk of his series. Masefield began with such ' realist' poems as 'The Widow in the Bye Street' and 'The Everlasting Mercy': his output latterly has been almost entirely religious or classical in theme; but whether of the first period or tho last, Masefield's poetry has the power to catch the ear of the majority without pandering.

by Sir C.Hubert H. PARRY
(1848-1918)
JOHN ARMSTRONG (Tenor) KEITH FALKNER (Baritone) THE WIRELESS SYMPHONY
ORCHESTRA
(Conducted by STANFORD
ROBINSON)
ONE of the things which has kept a good deal of the late
Sir Hubert Parry 's music from winning the place in our affections to which it is richly entitled, was the self-denying rule which he laid down during his regime at the Royal College that no work of his own was to be performed there. In that way he missed opportunities of winning adherents such as few composers would have been modest enough to pass by, and to this day his music is comparatively little known to the concert-goer, though when chances are offered of hearing it, it makes its effect very surely, though almost always by the simplest means. It inclines, more than most modern music, to a rather strict shapeliness in design, but is, none the less, rich in beauty of an eminently sand and wholesome order. It has breadth and bigness, too, as well as a sturdy sense of humour ; if its qualities had to be summed up in one word, ' English.'jwould probably be the most satisfactory description.
CHORUS and ORCHESTRA
Blest pair of Sirens (At a solemn music) Ode by Milton
ORCHESTRA
Symphonic Variations
KEITH FALKNER
Songs (with Pianoforte accompaniment)
JOHN ARMSTRONG , KEITH FALKNER , Chorus and Orchestra
The Pied Piper of Hamelin ..(Robert Browning )

: ALFREDO and his BAND and the NEW Princes ORCHESTRA from the New Princes Restaurant