(Daventry only)

ANTHONY PINI (Violoncello)
Olive Bloom (Pianoforte)

by Eric BROUCH ,
(Organist and Director of the Choir, Lewisham
Congregational Church)
Relayed from St. Mary-le-Bow

Prelude in E Flat - Bach
Chant de Mai (Song of May) - Joseph Jongen
Rhapsody No. 3 - Herbert Howells
Sonata No. 3 (First Movement) - Mendelssohn

MOSCHETTO and his ORCHESTRA
From the May Fair Hotel
2.0 2.25 (Daventry only) I Experimental Transmission of Still Pictures by the Fultograph Process

Dr. B.A. Keen: 'The Why and Wherefore of Farming (Course II) - IX, The Great Agricultural Reformers'

Part II
(Shakespeare)
THE second part of Henry IV. is distinguished from the rest of Shakespeare's historical plays by containing the final fall of Falstaff. It has. of course, the alarums and excursions, the conspiracies and parleys, the Laneasters, Northumberlands. Scroops and Mowbrays appropriate to historical plays. But of more enduring importance than their marchings and counter-marchings is the underlying story of the Fat Knight and his command in the war, his junketing and bluffing through his commission, and the last pathetic scene when his boon-companion, Prince Henry, now come to the throne, rebukes him and passes him by. The play ends with the arrest of Falstaff and ' all his company,' and their departure for the fleet ; and one can look for him in vain in Henry V. There one may find heroics in plenty, speeches that have become famous, humour even, behind the lines; but the only trace of Falstaff is in these scenes where it is told, first that' the king has killed his heart,' and then, finally, that ' Falstaff, he is dead.'

From the Prince of Wales Playhouse, Lewisham

' THE FAMILY ' at Home at 5.15 p.m.

IN this epoch of sub-divided houses and tiny flats, it is no longer merely eccentric recluses who live alone and do all their housekeeping themselves.- It is to people living in such conditions that Miss Collins's talk this evening is addressed.

CHOPIN MAZURKAS
Played by IRENE SCHARRER (Pianoforte)

LAST week Professor Crofts took Coleridge and Wordsworth as representatives of the two chief types of the poetic temperament. This evening he will discuss ' The Ancient Mariner,' Coleridge's greatest poem, and how it came to bo written, estimating the value of Wordsworth's contributions to it, and distinguishing between its meaning and its moral,

(Songs of Many Countries)

Relayed from the Queen's Hall, London

(Continued)

by CECIL DIXON (Pianoforte)

Selected from the modern section of 'The Book of the Tree,' an anthology, edited by Georgina Maso
'The verie essence, and, as it were, springheade and origine of all musicke is the verie pleasaunte sounde which the trees of the Forest do make when they growe '
Poems : Violin and, Pianoforte :
Reader, CHARLES SIEPMANN
Violinist. EDA KERSEY