Relayed from the Winter Gardens, Bournemouth
Symphony Concert No. 3 of the Thirty-Third
Winter Series
THE BOURNEMOUTH MUNICIPAL ORCHESTRA
Conducted by Sir DAN GODFREY
THE LONDON RADIO DANCE BAND, directed by SIDNEY FIRMAN
FRED LEWIS (Impersonator)
Relayed from the Town Hall, Birmingham
The CITY OF BIRMINGHAM ORCHESTRA, conducted by ADRIAN C. BOULT
MYRA HESS (Pianoforte)
THE reason why Schumann's Piano Concerto is such a favourite is plain—it lias something to say that moves our emotions, now tenderly, now forcefully, and it says it in clear, recognizable language, without gush or pretentiousness. The Concerto is in three Movements, the last two of which have no interval between them. It is interesting to note that the work did not at first appear in its full form. The First Movement was written in 1841, and was entitled Fantasia. Four years later. Schumann added two more Movements,, and called the whole a Concerto.
The First Movement, quick and emotional. presents its leading themes from many points of view. The Second Movement is a gentle, graceful Intermezzo that plunges into a dashing, forceful Finale.
8.15 app. MARGARETM.
KENNEDYwill read from the Studio : Thomas the Rhymer (Anon.); The Highwayman (Noycs) ; The Listener, (Walter de la Marc)
MYRA HESS
Pianoforte Solos
9.35 app. CLIFFORD FULLWOOD (Tenor) in a Recital of Elgar's Songs:
After
Is she not passing fair ?
Queen Mary's Song Song of Autumn Shepherd's Song
VICTOR OLOF SEXTET
Overture to ' The
Magic Flute' Mozart
March : Dance of the Sugar Plum Fairy: Reed Pipn Dance: Trepak (From the 'Nuteracker' Suite)
Tchaikovsky
' HER TONGUE'
A New Comedy in One Act by HENRY ARTHUR JONES
First Production
Characters, in order of their speaking:
Had it not been for the eleventh-hour activities of his friends, Minnie and Fred Bracy , Lawrence Scobell would have sailed away to South America without even bidding Patty Hanalope good-bye. However, a telegram brings her to Varley's Hotel, Southampton, where a waiter is now showing Minnie and Fred into a private sitting-room.