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LISZT was a great lover of the music of the gypsies of Hungary, and made a number of their tunes into Rhapsodies-a term he used, so he said, because he felt that it best expressed the epic element in the gypsies' performances. In his book, The Gypsies and their Music in Hungary, he gives a stirring account of such performances. Most of his twenty Rhapsodies were composed on his return in 1839 from a tour abroad, on which occasion a sword of honour was presented to him by Hungarian nobles. The pieces were composed as Piano solos, and Liszt later arranged some for Piano duet, and orchestrated a few. They are full of quick changes of mood, and of florid decoration (which reminds us of the gypsies' Oriental origin). In the main they ' follow this plan-first a slow section, corresponding to the native Lassan, and then one or more lively, excitable ones, like the Friskas of the gypsies.
The Eighth Rhapsody has a good deal of free declamatory matter to start with, then a slow portion, with many ornaments and pauses, that has the indication ' in a melancholy manner.' A quicker, graceful section leads to the Finale, Aery fast and flamboyantly gay.

2ZY Manchester

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This data is drawn from the Radio Times magazine between 1923 and 2009. It shows what was scheduled to be broadcast, meaning it was subject to change and may not be accurate. More