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—IV, Mrs. NINA E. ABBOTT :
' Life in Bennuda'
Bermuda, the smallest of our colonies and one of the (if not the) oldest, 4s situated six hundred miles from Jamaica. It is an island of white coral and famed for the prodigality of its flowers.
It is a favourite resort for Americans, combining the amenities of modern life with a kind of South Sea splendour. Mrs. Abbot, who is giving this talk, is a Bermuda journalist who is at present spending some months in London.

Contributors

Unknown:
Mrs. Nina E. Abbott

VII, China's Contribution to Civilization,* by Mr. H. J. SILCOCK
DESPITE the alleged and permanent inability of East and West to meet and be other than ' twain,' it is of little use to deny the already significant influence that China has had upon our Western culture, both in art and in literature. Then there is always the gradual percolating contribution made by the residence abroad of millions of Chinese. In considering these things
Mr. Silcock will particularly stress the bearing of China's philosophy and outlook on life upon the present struggle between the civil power and the militarists. Further, he will outline some of the valuable contributions that China may still make to the West.

Contributors

Unknown:
Mr. H. J. Silcock

Mr. Philip Kerr is one of those 'powers behind the throne' who have exerted a great influence on imperial development, yet with a minimum of publicity. He was one of those concerned in the creation of a constitution for the Union of South Africa and in the devising of a new constitution for India. As editor for many years of 'The Round Table,' as Secretary to Mr. Lloyd George throughout the Peace Conference, and now as Secretary to the Rhodes Trust, he has played a large part in promoting a scientific study of imperial problems.

Contributors

Speaker:
Philip Kerr

By Mrs. VIOLET GORDON
WOODHOUSE
THE Harpsichord, the most important of all the ancestors of our pianoforte, held the place of its more full-toned modern representative during the sixteenth, seventeenth, and eighteenth centuries. In Bach and Handel's music it figured regularly as a support to the orchestral instruments, and listeners to the Bach Cantatas are by now familiar with the word Continue, the ground bass from which the player of the harpsichord (or cembalo, or clavicembalo) filled up the harmonies.
The harpsichord differs from the modern pianoforte chiefly in this, that the strings are not struck by hammers, as the player depresses the keys, but plucked either by quills or by little hook-like pieces of hard leather. Originally, it had only one keyboard, so that no variation of tone was possible, but afterwards all manner of devices came into use for making louder and softer tone at the player's will, and many of the best examples which have come down to us have two keyboards, with several stops like organs.
Mrs. Violet Gordon Woodhouse has for a number of years made a special study of the instrument and its literature, and is known throughout the world as one of the leading exponents of its truly charming possibilities.

Contributors

Unknown:
Mrs. Violet Gordon
Unknown:
Bach Cantatas
Unknown:
Mrs. Violet Gordon Woodhouse

2LO London and 5XX Daventry

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About this data

This data is drawn from the Radio Times magazine between 1923 and 2009. It shows what was scheduled to be broadcast, meaning it was subject to change and may not be accurate. More